This archive includes works by Jeong In Suk as well as other artists, students and makers, alongside exhibition and class photographs. Please read each record. Unconfirmed authorship is not attributed to Jeong In Suk. Photographs checked against the artist’s original notes. Years refer to the date of the post.
Artworks · 2026 · A patchwork sampler quilt. The March 23 post describes using a quilting service for some blocks and the border, then hand-sewing the back of the binding. The April 6 follow-up documents the finished quilt. These are stages of the same work, not separate artworks. Conflicting measurements in the source are not presented as confirmed dimensions.
Artworks · 2025 · A work seeking to hold fading, precious memories in small frames. The original post lists cotton fabrics, rust dyeing, machine quilting and dimensions of 120 × 120 cm. The award notice dated December 5, 2025 confirms an Honorable mention at the 18th Quilt Nihon Exhibition. The certificate photographed in the May 30, 2026 post identifies the Contemporary category, In Suk Jeong and the certificate date April 11, 2026.
Artworks · 2025 · A textile work exploring the gaze turned toward oneself. Photographed with the artist at the exhibition.
Artworks · 2025 · A panel inspired by the strength found in lotus seed pods standing in the sun. Exhibition photograph.
Artworks · 2024 · Wool, cotton, eco printing and machine quilting. The original caption lists 92 × 120. Presented at S.M. ART QUILT.
Artworks · 2024 · A 50 × 50 cm silk and wool panel. A mesh technique interweaves transformed leaf shapes to evoke leaves scattered by an autumn breeze and their lingering resonance. Checked against the November 2024 work description and December exhibition photograph.
Classes & activities · 2024 · Installing the 12th S.M. ART QUILT exhibition in Hall 6 of Kyung-In Museum of Fine Art. The photographs show works being hung and positioned and explanatory materials being prepared. The caption announces a December 18 opening but lists both the 23rd and 24th as closing dates, so the closing date remains unconfirmed. Not every pictured work is attributed to Jeong In-suk.
Classes & activities · 2024 · An invitation to the 12th S.M. ART QUILT exhibition by graduates of the quilt specialist program at Sookmyung Women’s University’s Chung Young Yang Embroidery Museum. The caption lists December 18–23, 2024, an 11:30 gallery talk and the artist’s planned opening-day duty on the 18th. This is a historical invitation, not a current schedule or proof that the duty was completed. The textile pictured in the promotional image is not attributed from this source alone.
Classes & activities · 2024 · A record of the second day at Sunchang Fermentation Theme Park. Photos show a quilt craft exhibition banner, displayed quilts, accessories and participants meeting, alongside the snowy venue. Individual exhibited works are not all attributed to Jeong In-suk; sales figures and hands-on activity outcomes are unverified.
Classes & activities · 2024 · An announcement for the 2024 Early Christmas event at Sunchang Fermentation Theme Park. The poster lists December 14–15, and the caption announces a quilt exhibition, market and hands-on activities. This is a historical preparation record, not proof of completed activities or sales and not a current event schedule.
Classes & activities · 2024 · A photograph sent after drying materials from a wool yarn, silk ribbon and wool fabric dyeing class. Orange, purple and green yarns hang in the image. The caption mentions adding a new fabric to the class materials. These are results shared after class, not the artist’s individual finished artwork or sales stock. Dye recipes and detailed class materials are not disclosed.
Process · 2024 · Panel photography while preparing for the 12th S.M. ART QUILT exhibition. The photos show a textile with a leaf-patterned center and a small-piece border, camera equipment and a separate small panel. The caption says only the panel stage was completed and includes an eco-printing tag. This does not establish completion of the entire work or exhibition installation; individual titles and dimensions are unverified.
Classes & activities · 2024 · Participation in J’s Art Handmade Market at Quilt & Sujak in Gyeryong. The display includes Hawa Art signage, pouches, rose accessories, ribbons and scarves. The caption describes meeting other participants and receiving orders through a live broadcast. Completed payments, deliveries and revenue are not verified; pictured prices are not current sales terms.
Classes & activities · 2024 · An announcement of participation in J’s Art Handmade Market at Quilt & Sujak in Gyeryong on November 16, 2024, introducing accessories, fabrics, kits, wool scarves and silk ribbons. This is a historical event announcement, not current event or stock information. Sales and auction results are not established by this source.
Classes & activities · 2024 · An interview recorded at the Zhang Jian Cup competition. The caption identifies conversations with Nantong television and the organizers, sharing the artist’s views on varied color combinations and extending patchwork into bags, bedding, carpets and wall hangings. Photos document the filming. Broadcast transmission and the original broadcast video have not been verified.
Classes & activities · 2024 · Installation views from Part 2 of the quilt exhibition at Le Vin Foret. A boat quilt and other submitted works hang on the gallery walls. The caption announces a planned gallery-host visit the following day. This is a group exhibition, not a display of works all by Jeong In Suk. The closing date differs between the caption and printed material and is left unconfirmed.
Classes & activities · 2024 · A record from the 2024 Zhang Jian Cup design competition venue in Nantong, China. Photos show the building, lobby and event banners. In the caption, the artist describes arriving, arranging submitted works and the multi-round judging process. This documents attendance at the venue, not final award results.
Classes & activities · 2024 · A custom dyeing lesson for a learner who needed dyed textiles for graduate-study work. Photos document teal, orange-brown and yellow-green fabric on racks during dyeing. This is not a claim of an official university course or degree supervision. Dye types and fiber composition for each photo, and final artwork outcomes, are not established.
Classes & activities · 2024 · An announcement of participation in Warm and Snug of Quilt at Gallery Le Vin Foret. Both caption and poster list Jeong In Suk in Part 2, September 19–30, 2024. The overall opening date differs between the sources and is not settled here. This is a historical participation announcement, not current visitor information or proof of completed exhibition attendance.
Classes & activities · 2024 · An archived announcement sharing entry and artwork-submission information for the 2024 Zhang Jian Cup Chinese international home-textile design competition. Cards cover the competition, theme, submission steps and entry notes. This is historical information, not current registration. The caption discusses entries and awards across Korean artists; these are not counted as Jeong In Suk’s personal awards.
Process · 2024 · A record of decorating hats with rose corsages and lace for orders received after the fair. Light-colored hats with different weaves carry red, purple and orange roses with green leaves. The caption plans dispatch for the following day, not completed delivery. Making the hat bodies and the age of the lace are not established.
Classes & activities · 2024 · On-site photographs show hexagon patchwork, dyed fabrics and scarves displayed beneath the Hawa Art Studio Ma-23 sign. This post has no caption; earlier Busan BEXCO participation and pre-setup travel posts provide context for this booth-preparation record. Not every displayed accessory is attributed solely to the artist. This does not establish current stock, prices or sales.
Artworks · 2024 · A drawstring pouch combining dyed fabric with an embroidered patch. A pink body carries a cherry-jam jar motif, with a patterned opening and yellow cord. The caption refers to combining fabric and a patch, not an official brand collaboration. The designer and embroiderer of the patch itself are not established.
Process · 2024 · A work-in-progress record of preparing ice and trying different dyeing approaches. Close-ups show colors on the ice and blue or brown tones developing in the fabric beneath. The caption anticipates the results; these are not final washed and dried patterns. Dye ingredients, exact formulas and treatment times are not established.
Process · 2024 · Preparation for a custom order of silk ribbons intended for an artwork. The caption describes scouring the ribbons before starting; photographs show white ribbons in separate containers and bottles of dye on the worktable. The client left the color choices open. This is not a finished-result or dispatch record, and dye types, formulas and treatment times are not established.
Process · 2024 · A making record of attaching rings and fasteners to bracelets decorated with ribbon roses, lace and buttons. Photos show five differently embellished bracelets and assembly tools. The July 26–28 Busan BEXCO K-Handmade Fair notice was an announcement of planned participation, not proof of completed attendance or current stock.
Process · 2024 · A record of making new floral-fabric aprons to replace worn guest aprons. Front and side views document the fit. The caption mentions a request for five more, not completed payment or delivery. It does not state that the artist dyed the fabric or designed its floral print.
Classes & activities · 2024 · A record stating that trophies, certificates and catalogs from the 2023 Chinese international home-textile design competition arrived and were forwarded to recipients. The photo shows several trophies and certificates. This is an award-materials forwarding activity, not a claim that every award belongs to Jeong In Suk. The 2024 recruitment notice was a historical announcement, not current registration information.
Classes & activities · 2024 · A visit with fellow quilters to the modern Korean embroidery exhibition at MMCA Deoksugung. Source photos document the museum exterior, exhibited embroideries and the group outing. This is a visitor activity, not an exhibition entry or award for Jeong In Suk. The museum exhibits are not included as her artworks.
Process · 2024 · Dyeing silk ribbons and folding roses for hat remakes, corsages and brooches. Frayed-edge ribbons in subdued and vivid colors were wound onto spools. The Busan fair presentation mentioned in the caption was a plan at the time, not evidence of current stock or a specification shared by every ribbon.
Process · 2024 · A remake adding hand-dyed silk-ribbon rose corsages, yarn and lace to existing hats. Photographs document the arrangements on two different hats; the caption records delivery of the finished items. This does not imply that the hat bodies were made by the artist. Payment amounts and current stock are not established.
Process · 2024 · A record of making rose corsages first for an order of hats and corsages. Hand-dyed fabric roses were embellished with lace, hand-dyed silk ribbon and decorations described in the caption as irregular pearls. Photos include brooch and hat examples and flower components in preparation. This is an order-making record, not evidence of delivery, payment or current color availability.
Process · 2024 · Preparing the reverse of a top assembled from figure appliqué blocks. The caption describes cutting away backing fabric behind the appliqués before quilting; the photograph shows the reversed top and tools. The artist planned to show the finished piece at the Busan handmade fair, but this record does not establish completion or exhibition attendance.
Classes & activities · 2024 · A class choosing colors and patterns for T-shirt dyeing. Photos show multicolored shirts, a light-blue re-dyed button-up and long-sleeved shirt, and folding preparation. The caption describes re-dyeing older linen and long-sleeved shirts brought by a participant. This does not guarantee restoration of every discolored garment; current classes and suitability of clothing require consultation.
Classes & activities · 2024 · A quilt photography outing at Suncheon Bay National Garden and the wetlands. The source photographs show hand-dyed hexagons, a red-bordered sampler outdoors and the photography setup. The caption mentions photographer Koo Sung Soo. This records a photography activity, not an exhibition or a new independent artwork.
Classes & activities · 2024 · A class example adding hand-dyed fabric rose corsages and lace to a hat. The announcement offered individual or group one-day sessions and kits, using a provided or participant-supplied hat. This is a 2024 announcement, not evidence that the class took place or that dates are currently available. Please inquire about current options.
Process · 2024 · A custom-dyeing record showing rose-brown, pale pink and apricot-toned solid fabrics side by side. The artist stated that dyeing was finished and dispatch was planned for the following day. This is a pre-dispatch record, not proof of delivery or current stock.
Process · 2024 · A custom-dyeing record comparing subtle yellow, ochre and beige shades. The artist described mixing several colors to work toward a supplied sample. Photographs cannot fully reproduce the actual colors; discuss the desired shade and fabric requirements before ordering. This is not a stock listing or a guarantee of an exact color match.
Process · 2024 · Hand-dyed fabrics with varied blue-grey and dark-grey mottled patterns. The artist described carefully dyeing a fabric order intended for artwork. This records fabric production, not the customer’s finished work or current stock. Please inquire about colors and dimensions.
Process · 2024 · An actual process photograph of twelve chicken shapes and chick appliqué pieces arranged on a cutting mat. The original post says pressing and stitching onto the background fabric are still to come. Made using the existing Chicken Salad pattern, not an original pattern by the artist or a finished quilt.
Process · 2024 · A large top of joined hand-dyed hexagon flower blocks, spread outside the studio to arrange its edges. The artist described it as too large to spread indoors and credited a fellow group member for the photographs. This continues the earlier layout and cutting process; it is not presented as a fully quilted bedcover.
Process · 2024 · Cutting additional hexagons beside hand-dyed fabrics sorted by color. The original post explains that sewing was paused due to a machine problem while missing block pieces were prepared. A hexagon quilt process record, not a finished artwork or a class event.
Classes & activities · 2024 · A T-shirt and tote dyeing class for two first-time participants. Source photos document tying, dyeing and rinsing, alongside a blue ring-pattern shirt, a red-and-yellow shirt and a purple bag. These are class outcomes, not independent artworks by the artist. Please inquire about current class dates and materials.
Process · 2024 · Flower-shaped blocks made from hand-dyed hexagons, arranged to explore color combinations. The artist described machine-piecing the blocks while adjusting repeated colors among pre-cut fabrics. Joining remained in progress; this is not a finished quilt or a class event record.
Classes & activities · 2024 · An exhibition record showing two works and certificates at the Tokyo Metropolitan Art Museum. In the original post, the artist reported honorable mentions for the works titled 시선 and 휴식 and her attendance. Source photographs show the works displayed together and an award-recipient group photograph. The date is the posting date; this is an exhibition activity record.
Process · 2024 · A quilt top joining fruit, barn, star and other blocks with white sashing. The artist wrote that the 48-block top was complete but border work remained. This is a process record using an existing pattern, not a finished quilt or separate artworks for each block.
Process · 2024 · Hand-dyed fabric with circular transitions of pink, violet, yellow and turquoise. The artist described custom dyeing of Hawaiian circle fabric, listing 50×50 for cushions and 150×150 for wall hangings without specifying units. This documents fabric work, not finished cushions or wall hangings. Current availability and order dimensions require consultation.
Process · 2024 · Returning to the studio to continue sewing Farm Girl Vintage blocks. Yellow and turquoise pieced triangles sit beside the sewing machine; another source photo shows blocks arranged on the work wall. A process record using an existing pattern, not a finished quilt or a new independent artwork.
Classes & activities · 2025 · A record of joining fellow makers and completing a quilt exhibition setup at the 20th Sunchang Fermented Food Festival. The entrance sign gives the dates 17–19 October 2025. The caption describes a break after installation and the opening planned at that time. This was a shared exhibition; not all exhibits are attributed solely to Jeong In-suk. This is a historical record, not a current event announcement.
Classes & activities · 2025 · Seventeen photographs show the Hawa Art Studio Ra-07 booth, a portrait, hanging hand-dyed fabrics and close-up patterns, block quilts, nun and Amish dolls, floral accessories and supplies. The caption marks the final day of a three-day fair and reports visits from quilt teachers and makers, without establishing visitor or sales totals. The lakeside quilt photograph is distinct from the exhibition-floor views; its location and date are not inferred. Not all displayed designs or items are attributed solely to Jeong In-suk, and pens, books and supplies are not counted as separate artworks. Historical kit discounts are not current terms.
Classes & activities · 2025 · Installation for the 8th Creative Quilt Meeting group exhibition at Kyung-In Museum of Fine Art, Exhibition Hall 5, held on 6–12 August 2025. The entrance banner lists Jeong In-suk among the participants. Photographs show the entrance, displays, lighting adjustments, frame installation and small-item display. This is a group-exhibition record; not every work shown is attributed to Jeong In-suk.
Process · 2025 · A record of dyeing colours and preparing blocks for Spring Garden kits. Photographs show labelled fabric bundles, a whole quilt and examples featuring a watering can, birds, a flower cart, a rabbit and a sunflower. These use an existing Baltimore Spring Garden pattern; the post does not establish that the whole quilt was newly completed in 2025. Historical stock and discounts are not current sales conditions.
Classes & activities · 2025 · A visit to the Ron Mueck exhibition and a reflection on work and everyday life. The caption describes returning on Monday morning after abandoning a crowded Sunday visit. The photograph shows a visitor in front of large white skull sculptures. These exhibited sculptures are not works by Jeong In-suk, and this is not an exhibition-participation or collaboration credit. The record year follows the posting date.
Process · 2025 · A kit record showing hand-dyed fabrics, pattern-book covers and Amish dolls with varied outfits and small props. Six photographs show fabric preparation, packaging and colour combinations. The caption describes the kit offered at the time, including semi-finished body stands and miniatures. Current contents, stock and class conditions require confirmation; background props are not all attributed to the artist.
Process · 2025 · A handkerchief-dyeing record using flowers and leaves arranged on white cloth. Ten photographs show plant placement, transferred marks and the changing compositions revealed by folding. The caption describes natural dyeing with locally gathered plants and rinsing after completion. The photo count is not a count of separate works; fibre composition, mordant conditions and current class dates require confirmation.
Classes & activities · 2025 · A learning visit to The Clothed Home at the Seoul Museum of Craft Art, including a craft lecture and a curator-led exhibition tour described in the caption. The post reflects on Polish textile crafts and seasons. Photographs show the brochure cover and lecture setting. This is an attendance record, not an exhibition or teaching credit; works and materials shown are not attributed to Jeong In-suk.
Process · 2025 · Bundles of fabric strips in pink, peach, orange, teal and purple, prepared ahead of the Busan fair. Six photographs show the colours and edge textures of wider and narrower strips. The caption identifies hand-dyed sari silk and silk ribbons while discussing preparations to leave for the fair. These are historical preparations, not current stock, specifications or invitation terms.
Process · 2025 · A preparation record showing coloured fabric strips in a bowl and draped over bars, alongside ice and colourants in a foil-lined container. The caption discusses preparing sari silk and other silk materials for packages and trying a new approach to ice dyeing. The four photographs are not confirmed as successive stages on the same material; dye types, quantities and timings are not specified.
Classes & activities · 2025 · A greeting with a visitor in a gallery displaying textile works. The caption thanks a longtime acquaintance for visiting. This post alone does not establish the title or maker of each work; its publication date is not treated as the photograph date or exhibition closing date.
Process · 2025 · Folded fabrics laid out in rows across a worktable to show colour transitions: pink, yellow, teal, green, purple, blue and brown. The caption introduces a 100-colour hand-dyed package and varied dyeing methods including solid and patterned effects. The photograph does not establish the exact count or fibre composition; current stock and order specifications require confirmation.
Classes & activities · 2025 · Paper invitations bearing the Hawa Art Studio name and booth Ra-07. They announce K-Handmade Fair at BEXCO, Exhibition Center 2, Hall 4, Busan, on 20–22 June 2025. The caption also discusses ice-dyeing work and preparing to send invitations, but the photograph shows tickets, not the dyeing process. This is a past-event record, not a currently valid ticket.
Classes & activities · 2025 · Hand-dyed fabric selections introduced for the opening of K-Handmade. Three close-ups show folded fabrics arranged by colour in boxes; the caption lists 110- and 75-colour solid selections and a 33-colour patterned selection. These are fabric photographs, not an overview of the venue. The historical limited offer is not a current sales condition; prices and stock require confirmation.
Process · 2025 · Amish dolls wearing hats, bonnets and aprons gathered on a worktable, with baskets and small buckets among their accessories. The caption introduces their new clothes and the planned booth Ra-07 at K-Handmade Fair Busan on 20–22 June. This is a historical preparation record, not a current event, ticket or stock announcement.
Process · 2025 · Blocks in progress with chicken and chick shapes pinned to background fabric. The caption describes choosing yellow for the legs after several dyeing attempts and hand-appliquéing the small pieces. One block a day was a stated goal, not a completed output. This is a package project described in the caption, not presented as the artist’s original pattern.
Process · 2025 · Hand-dyed fabrics arranged by colour in boxes and tied in ribbon bundles. The caption introduces a 100-colour package for an Amish circle project and a range of mixed colours. Pink, purple, blue, green, yellow and brown families are visible. This records the selection shown at the time; current stock and order specifications require confirmation.
Process · 2025 · Three close-up photographs show pink, purple and yellow tones spreading and overlapping across fabric. The caption describes the unpredictable results of ice dyeing as mysterious and dreamlike. Fibre composition, dye type, quantities and working conditions are not specified.
Process · 2025 · A quilt with a pale-blue sewing machine, pincushion and spool shapes, finished with a red border. The caption refers to a Lori Holt vintage sewing-machine project, finished by hand quilting for use as a machine cover. It is not presented as an original pattern by the artist or as a photograph of the cover installed on a machine.
Classes & activities · 2025 · A sewing-group record showing hands gathered together wearing fabric pumpkin-shaped rings. The caption describes a group that has met for over 14 years, with all seven members present. Floral fabric and centre decorations are visible. Individual makers are not identified; this is not a current class or sales announcement.
Process · 2025 · Embroidery and beads being added to a pouch combining checked, floral and illustrated fabrics. Thread spools and bead containers sit beside the pouch. The caption describes adjustments to a gift in progress. This does not claim authorship of the printed illustration, final completion or current stock.
Classes & activities · 2025 · Exhibition preparation a day before opening, showing works being hung and positioned. The caption and poster announce 24–30 December 2025 at Gallery 6 of Kyung-In Museum of Fine Art. The noon gallery talk on the 24th and the artist’s duty on the 25th are plans stated in the caption, not proof they occurred. Works by several artists appear in this group exhibition.
Process · 2025 · A record of receiving indigo seedlings from Basilier in Naju for leaves needed in dye work. The photographs show plants with cut upper stems in a planter. The caption expresses hope of growing them and eventually collecting seeds; it does not confirm seed collection, completed dyeing or a specific cultivar.
Process · 2025 · Mini trees made by stacking fabric yo-yos using Christmas fabrics and scraps, finished with beads and ribbons and hung from a branch. The caption records making 18 over two days. The photographs show wide and close-up views, not all 18 items or confirmation of current stock.
Process · 2025 · A panel-top making record using strips of fabric printed with lotus leaves and seed pods. The photographs show a weaving tool, fabric in progress and the woven surface. The caption identifies preparation for an S.M exhibition and says quilting remains after completion of the top. This is not a record of exhibition installation or a fully finished work.
Process · 2025 · A making record with yellow corn, red tomato shapes and multicoloured X-shaped blocks. The caption records completion of blocks 8, 9 and 10 using newly received fabric. Several photographs show the same blocks and fabric from different angles. This does not identify the fabric as hand-dyed or currently for sale, nor show a completed quilt.
Process · 2025 · Two blocks shown together: a navy flower with a green stem and leaves, and a yellow beehive shape with a red heart. The caption records blocks 4 and 5 and reflects on choosing colours from available fabrics. This is a book-pattern project, not a claim of an original pattern or a completed quilt.
Process · 2025 · A block with a navy centre and red and yellow star shapes, alongside a green tractor-shaped block. The caption records completion of blocks 11 and 12. Part of the tractor is outside the right edge of the original photograph. The title describes visible shapes, not official pattern names or a completed quilt.
Process · 2025 · A block with a grey fork, knife and spoon with red handles on a turquoise ground. The same post also shows a red apple, an apple-core shape and orange patchwork pieces. Its opening line records blocks 14 and 15. A later sentence mentions a boot, but no boot appears in these photographs. The title describes visible shapes, not official pattern names.
Process · 2025 · A record of covering existing dining chair seats with printed fabric. The caption describes four seats: two in a newspaper-style print and two in large lettering. The main photograph shows two newspaper-print seats and one with large lettering. This documents a household fabric project, not chairs for sale or a current upholstery service.
Process · 2025 · Small knitted pieces are arranged with miniature knitting needles and decorative buttons. The same post also shows purple, pink and orange fabric roses with green leaves. The caption mentions hand-dyed wool yarn and vintage buttons. This is an accessory-making record, not confirmation of current stock, prices or festival attendance.
Process · 2025 · An eco-printing record of wool scarves before winter. Pale leaf impressions on purple fabric appear alongside red leaves on a dark ground. The original post mentions an imprint technique, while the photographs show leaf veins and fabric texture. Plant species, dyes and current stock quantities are unverified.
Process · 2025 · Starting Farm Girl Vintage 2 one block at a time. The photograph shows fabrics, mitten-, pie- and pumpkin-shaped blocks alongside the book by Lori Holt. The complete quilt on the book cover is a reference image, not a finished quilt by Jeong In-suk. The historical studio invitation does not indicate current enrollment.
Process · 2025 · A cat-shaped block in dark dotted fabric with a turquoise neck detail and a red heart. The caption calls it the third block that day. “Cat” describes the visible shape rather than an official pattern name. This is not a record of a completed quilt.
Process · 2025 · The seventh block in a Farm Girl Vintage 2 project: red watermelon, green rind and a blue fork pieced from patterned fabrics. This records an individual block, not a completed quilt or fabric stock for sale.
Process · 2025 · The sixth Farm Girl Vintage 2 block, with red and yellow tulips and green stems and leaves pieced from fabric. This is a block-making record, not a completed quilt or a current class invitation.
Process · 2025 · Light fabric bearing leaf motifs is divided into strips and woven using a wooden tool. The original post describes bringing a long-kept tool back into use for a Sookmyung-related artwork project. This documents meshwork quilting in progress, not a finished work or fabric for sale.
Process · 2025 · Image-transfer and mixed-media work in preparation for the December S.M. Art Quilt exhibition at Kyung-In Museum of Fine Art. Fabric pieces bearing photographic images and artwork prints are spread across a cutting mat. This is a process record, not a finished work; the creators and titles of all printed works are not established here.
Classes & activities · 2025 · A Q.M year-end gathering for sewing together and making tin cases and Christmas trees. The photographs show fabric trees in checks and floral prints alongside tin cases. The original post mentions a craft kit; individual items are not all attributed to Jeong In-suk. This is not a current class or stock announcement.
Process · 2025 · A hand-quilting record with twelve floral cup and teapot blocks, a cupboard frame, ivy and a pot above. Fabric patterns and shapes correspond to the 2023 block photograph, with a different arrangement. The caption says embroidery on the pot remained, so this is work in progress. Tagged as a Hong I Jeong project, not evidence of current stock.
Classes & activities · 2025 · A historical announcement for the 13th S.M. ART QUILT, scheduled for December 24–30, 2025 at Gallery 6 of Kyung-In Museum of Fine Art. The poster includes Jeong In-suk and other participating artists. This is a group exhibition poster, not a collection solely by Jeong In-suk or a current event listing.
Process · 2025 · Making woven-quilt pieces for an S.M. ART QUILT exhibition, using 5 × 5 cm pieces. The photograph shows pinkish-brown fabric held with pins as pieces are woven into place. The dimensions refer to the pieces described in the original post, not a finished work.
Classes & activities · 2026 · A class announcement illustrated with dye containers, pale fabric, dyed yarn bearing Hawa Art labels, folded coloured fabrics and ribbons. The caption describes a shift towards one-to-one lessons and announces the first class for February 6, 2026. This historical notice does not establish current availability, included materials, stock or completed attendance.
Process · 2026 · A geometric yellow block with a red centre, and a bee-shaped block with a yellow and brown body and grey wings. The caption records work on blocks 22 and 23 while travelling between Seoul and Suwon. These are parts of an existing pattern project, not a completed quilt or an original pattern by the artist.
Process · 2026 · A quilt of orange and yellow fan-shaped patches and blue squares, hung at a window with light passing through it. The caption describes using a large Dicle Fish patchwork quilt as a curtain, pad and blanket. The third photograph shows bedding with the same motif. This is an existing quilt in use, not a new 2026 artwork or an original pattern claim. The maker of the background star hanging and other bedding is not established by this post.
Process · 2026 · Folded and spread gauze in brown, green, purple and blue tones, together with material immersed in liquid during the process. The caption describes a custom class dyeing gauze for use in artwork. This records class materials, not a student’s finished work attributed to the artist. Dye types, recipes and current stock are not established.
Process · 2026 · Two patchwork blocks depicting a handled kitchen tool and a truck. The caption records blocks 18 and 19 in progress and the project at 50% completion. These belong to an existing pattern project, not a finished quilt or an original pattern by the artist.
Process · 2026 · A block with red and blue hearts inside elongated multicoloured patches. The caption records completing block 17 after sending dyed fabric for processing. This is a section of an existing pattern project, not a completed quilt or a current class invitation.
Process · 2026 · A patchwork block combining a blue-grey animal and a small yellow bird shape. The caption records resuming the project after two months and completing block 16. The wish to finish within two months was a plan at the time; this is progress on an existing pattern.
Process · 2026 · Rolled fabric strips in pink and black, and purple and pale turquoise, on a cutting mat. The caption states that 40 ma of dyed fabric returned to the workspace after several processes, with a three-month project planned. This records preparation at the time, not a completed artwork, current stock or an order count.
Process · 2026 · A block combining a brown horse, a multicoloured square-patch saddle and a bucket shape. The caption records progress on block 24 of Farm Girl Vintage 2 using available fabrics. This is work in progress from an existing pattern project, not an original pattern by the artist or a finished quilt.
Classes & activities · 2026 · A participation announcement posted on June 27, 2026. The caption lists July 24–26 at BEXCO Exhibition Center 2, Hall 4, Busan, booth 사-21. Only the event poster and photographed invitations are included. This is a historical announcement, not a current invitation or discount offer, nor proof of completed participation or sales. Fabric promotional composites are excluded from the artwork photographs.
Process · 2026 · An apron-shaped patchwork block made during the Farm Girl Vintage 2 project, with blue dotted ties and pockets and a red berry-print fabric. The post describes progress on block 25 and a temporary trim because the intended red lace could not be found. This is a work-in-progress record, not a finished quilt or wearable apron.
Classes & activities · 2026 · A class record covering wool yarn, silk ribbon and wool fabric dyeing. The post describes liquid dye preparation, fabric types, scouring theory and colour mixing. The photographs show dyed materials, warm-coloured and violet-blue yarn during dyeing, and undyed materials. This documents a past class, not a current timetable or stock listing.
Process · 2026 · A process record of hand-dyed fabric built up through repeated layers of colour. The close-up shows vertical ridges and thread textures in blue-grey, with a pale yellow area. The post describes the time and care involved without specifying the dye, fibre composition or detailed technique. This is not a finished-artwork or current-stock listing.
Process · 2026 · A record of commissioned hand-dyed fabrics prepared for use in artwork. Folded fabrics show pale violet, blue-grey, teal, light green, yellow and brown tones, including patterned dyeing. This photograph documents the work at that time, not current stock or a guarantee of colour reproduction. Fabric pieces are not counted as separate artworks or orders.
Process · 2015 · A record of crack and etching effects made with direct dyes.
Process · 2015 · Fabric colors documented with the caption “100colors”; not a current sales offer.
Classes & activities · 2015 · Scarf photographs from a one-day gauze dyeing class, documenting a past class.
Classes & activities · 2015 · An activity documented as an indigo-dyed T-shirt workshop. Venue and participant count are not specified.
Process · 2015 · Dyed fabrics documented in the original post as “hawa dyeing fabric”.
Process · 2015 · Dye preparation documented with the original caption “Creating a liquid dye”.
Artworks · 2015 · Hand dyeing, embroidery, machine and hand quilting. The original size notation is 100 × 100.
Artworks · 2015 · Titled “Evidence” in the original post, with size notation 70 × 100. Photographed on outdoor steps.
Classes & activities · 2015 · A display captioned as Jeong In-sook’s hand-dyed fabrics. No event name or venue is stated.
Process · 2015 · Different colored cloths described in the original post as Jeong In-sook’s hand-dyed fabrics.
Classes & activities · 2015 · A studio display of Amish dolls and hand-dyed fabrics. Pattern authorship and event name are not asserted.
Artworks · 2015 · Digital print, painting, hand and machine quilting, oil stick, gauze and hand dyeing. Original size notation: 100 × 100.
Artworks · 2016 · Leaf-printed cloth and colorful ribbons form a dimensional surface. Exhibition label: 88 × 187 cm.
Process · 2016 · Two eco-printed cloths laid side by side, retaining leaf shapes and colors.
Classes & activities · 2016 · Exhibition announcement for 21–26 December 2016 at Gana Art Space, Gallery 2. The poster features About Coexistence II.
Process · 2016 · Detail photographs of dolls and miniature knitting accessories. Pattern authorship is not asserted.
Process · 2016 · Fabric display captioned “HAWA DYED FABRIC 110COLOR”, not a statement of current stock.
Artworks · 2016 · A woven wall hanging documented in full and in surface detail.
Process · 2016 · Leaf-printed cloth described in the original post as “Eco printing-silk”.
Classes & activities · 2016 · Cloth and leaf arrangements document a past workshop, not a current class offer.
Process · 2016 · Folded wool scarves bearing rounded leaf impressions.
Process · 2016 · Orange leaf impressions across three silk scarves.
Process · 2016 · Three wool scarves showing leaf impressions and fringed edges.
Process · 2016 · Green and purple spread across cloth in a circular frame. The original caption reads “Sort dyeing”.
Classes & activities · 2016 · A presentation of leaf-printed clothing and a scarf. Venue and attendance are not specified.
Process · 2016 · Fabric colors documented as “Hawa fabric dyeing 140 color”, separate from current stock.
Classes & activities · 2016 · Catalogue for Daesan Museum’s 18th-anniversary invitational exhibition, featuring Jeong In-suk and About Coexistence.
Classes & activities · 2016 · Displayed dolls with clothing and small accessories, captioned “Amish I doll”.
Process · 2016 · A standalone photograph of a hat with orange leaf impressions.
Classes & activities · 2016 · Exhibition photograph of a work with human silhouettes. The caption and ribbon identify the Women’s News President’s Award.
Process · 2016 · A close view of the cloth’s weave and orange and green leaf impressions.
Artworks · 2016 · A vest described in the original post as neoprene grunge style, with floral panels and thread details.
Process · 2016 · Layers of cloth from the original “120color” post, documenting colors at that time.
Process · 2016 · Preparing a long multicolored cloth on a worktable, documented as work in progress.
Process · 2016 · Four small scarves tied to display their leaf impressions.
Process · 2016 · Scrunching and tying cloth, immersing it in direct dye, and revealing a green pattern.
Process · 2016 · Tying, dyeing, untying and the resulting circular patterns shown together.
Process · 2016 · Stitching a heart motif with an embroidery machine. The post records an opportunity to use someone else’s machine.
Artworks · 2016 · A patchwork quilt with a purple border and light-green ground, captioned “Log cabin”.
Process · 2016 · Rolled gauze scarves dyed in multiple colors.
Process · 2016 · Cloth displayed as “Hand dyeing 100 color”, not a current count of colors for sale.
Process · 2016 · A corsage combining fabric roses, ribbons and beaded details.
Classes & activities · 2017 · Ten photos document an exhibition notice, batik displays and patterns, figures, wayang and a map textile. The caption identifies a batik and wayang exhibition at a Korea–Indonesia cultural centre. This is not a claim that Jeong In-suk made, exhibited or organised these works. The notice lists May 2017 dates; June 29 is the posting date. Individual makers are unconfirmed.
Process · 2017 · A close-up of two stacks of folded fabrics in pink, yellow, orange, purple, teal and grey tones. The caption identifies Hawa fabrics. This records material colours; fibre, dyes, exact colour count, fabric lengths and current stock are unconfirmed.
Process · 2017 · Three photos show light-green and yellow jackets, a pink skirt and gold-printed decoration. The caption records gold printing on first-birthday hanbok. It does not establish that the garments were sewn or their fabrics dyed by the artist; printing-material composition, dimensions and current ordering availability are unconfirmed.
Process · 2017 · Four photos arrange pink, purple, orange and green fabrics side by side, showing mottled patterns and relatively even solid colours. The caption identifies Hawa hand-dyed fabrics. Fibre, dye types, dimensions and current stock are unconfirmed.
Process · 2017 · A folded pale blanket with small floral-patterned edging. The caption records completion of a hemp summer blanket. This is a household textile-making record; dyeing, dimensions, authorship of the edging fabric and current availability are unconfirmed.
Process · 2017 · Three photos show a hat with a teal-green gauze band and fabric flowers, on a worktable and being worn. The caption identifies a handmade hat remake and gauze dyeing. It does not establish that the base hat was handmade; dyes, dimensions and current availability are unconfirmed.
Process · 2017 · Multicoloured dyed skeins hang from a drying rack. The caption identifies wool dyeing and an intention to try embroidery with the yarn. This records materials drying, not a finished embroidery; dyes, drying time and current stock are unconfirmed.
Process · 2017 · Wool yarn with transitions through pink, purple, orange and yellow. The caption identifies 100% merino wool and gradient dyeing. That material description applies only to this post, not all current products. Dyes, yarn weight and lengths are unconfirmed.
Process · 2017 · A close-up of overlapping silk ribbons in purple, light green and brown tones. The caption identifies silk ribbon and silk dyeing. This is a dyed-material record; dye types, ribbon widths, lengths and current stock are unconfirmed.
Process · 2017 · Dyed wool yarn in many colours laid out in long parallel bundles. The caption identifies wool dyeing for embroidery and knitting. This is a dyed-material record; dye types, yarn weight, total length and current stock are unconfirmed.
Classes & activities · 2017 · The artist, wearing rubber gloves, lifts a skein from a pink-toned dye bath. The caption identifies this as her own appearance during a wool dyeing class. This records class activity at that time; dye, temperature, duration, attendance and current class schedules are unconfirmed.
Process · 2017 · Five multicoloured wool yarn balls and loose strands on pink and burgundy leaf-patterned fabric. The caption identifies eco printing, wool yarn and hand dyeing. This is a materials record; fabric fibre, plant species, dyes, yarn lengths and current stock are unconfirmed.
Process · 2017 · Two close views of a sewing machine making parallel curved quilting lines on eco-printed fabric. The caption identifies twin-needle quilting and eco printing. This records work in progress; final form, fibre, plant species and dimensions are unconfirmed.
Process · 2017 · Checked and dark-patterned patchwork being quilted at a sewing machine. The caption says patchwork originally prepared for a skirt is being transformed into a big bag. This records work in progress rather than a finished bag; dimensions, when the patchwork was made and completion status are unconfirmed.
Classes & activities · 2017 · An exhibition graphic reading “Enjoying Time”, with a black circular shape on a red ground. The caption announces an S.sm art-quilt exhibition, 30 August–5 September, at Gallery is in Insadong. This is a historical announcement posted in 2017, not evidence of individual artwork titles, makers or completed attendance.
Process · 2017 · Circular- and grid-patterned fabric samples, a photo binder and printed references laid out on a cutting mat. The caption identifies dyeing class preparation and tags board-resist dyeing, immersion dyeing and Hawaiian Circle. This records preparation, not proof that the class took place or that every binder design was created by the artist.
Process · 2017 · Fabric held open shows a pink centre transitioning through pale brown to teal edges. The caption specifies circle dyeing, 30-count cotton cloth, direct dyes and 150 × 150, without a measurement unit. This records dyed fabric rather than a finished quilt; current stock is unconfirmed.
Process · 2017 · A black bag decorated with white lace, fabric yo-yos and red flowers. The caption describes a woven rush bag given as a gift and tags collage, lace and recycling. This records bag decoration without assuming the base bag or every component was handmade by the artist. Dimensions and current availability are unconfirmed.
Process · 2017 · A basket beside detached handles and a belt. The caption describes plans to transform a seagrass basket using old handles and a belt bought at a vintage shop. This records material preparation, not a completed bag; there is no evidence that the basket itself was made by the artist.
Classes & activities · 2017 · A photograph of Quilt & magazines and an open feature spread. The caption identifies a dyeing article in the 15th autumn issue; Jeong In Suk’s name and pages 48–49 are visible. This records a publication appearance without transcribing the article or attributing the cover quilt to the artist.
Process · 2017 · Teal, green and purple fabrics hanging outdoors to dry, with orange and pink fabrics behind them. The caption records dyeing and says the fine weather helps drying. This documents drying at that time; fibres, dyes, drying duration, total quantity and current stock are unconfirmed.
Process · 2017 · Folded fabrics stacked in purple, apricot, orange, red and cream tones. The caption identifies hawa fabric. This is a fabric record; fibres, dyes, specific production methods, total colour count and current stock are unspecified.
Process · 2017 · Folded fabrics stacked in pale teal, blue, purple, burgundy and brown. The caption identifies dyeing and hawa fabric. Fibres, dyes, lengths and current stock are unconfirmed; the floral background cloth is not attributed to the artist. The historical address is not reproduced as current visitor information.
Process · 2017 · A close view of stacked folded fabrics in pale pink, brown and burgundy tones. The caption identifies dyeing play and hawa fabric. This records dyeing results; fibres, dyes, lengths and current stock are unconfirmed.
Process · 2017 · Folded fabrics arranged in pale pink, yellow and orange tones. The caption identifies dyeing play and hawafabric. This records dyeing results; fibres, dyes, fabric lengths and current stock are unconfirmed.
Process · 2017 · Folded fabrics stacked in lavender, navy, green and dark grey tones. The caption identifies uses for borders, sashing and backing for Amish Circle and Mama’s Daily Life. This records fabric preparation, not finished quilts; fibres, dyes, lengths and current stock are unspecified.
Process · 2017 · White cloth with floral embroidery immersed in water. The caption identifies dyed merino wool and acid dyes, reporting no visible colour bleeding during that observation. This is a studio observation, not a certified colourfastness test or a no-bleeding guarantee for all products. Duration, water temperature and detergent conditions are unconfirmed.
Process · 2017 · Skeins in grey-brown, blue, pink, yellow and orange tones arranged with narrow ribbon. The caption identifies wool yarn and silk ribbon dyeing. Dyes, yarn weight, total length, current stock and whether these match yarns in other posts are unconfirmed.
Process · 2017 · Pale skeins being immersed in dye baths beside several metal vessels. Purple and green liquids and pink- and yellow-coloured yarn are visible; the caption identifies wool yarn dyeing. Dye types, temperature, duration and identities are unconfirmed. Background garments and plaques are not treated as evidence of authorship or awards for this work.
Process · 2017 · Opened skeins show transitions of pink, yellow, pale green, blue and lavender. The caption identifies wool yarn dyeing and hand dyeing. This records dyeing results; dyes, yarn weight, total length and current stock are unconfirmed. These are not assumed to be the same yarns used in brooches in other posts.
Process · 2017 · Folded fabrics arranged as bands of green, yellow, orange, pink, brown and purple. The caption describes dyeing play and hand dye. Whether these belong to the same batch as similar fabrics posted on other dates is unconfirmed; fibres, dyes, total quantity and current stock are not inferred.
Classes & activities · 2017 · An artist-introduction photograph with bouquets in front of textiles. The caption explicitly introduces the subject as Jeong In Suk (hawa). It does not specify an event, an award, or the titles and makers of the background textiles.
Process · 2017 · Folded fabrics stacked in pale, grey, brown, pink and teal tones. The caption identifies dyeing play, hand dye and hawafabric. This records hand-dyeing results; fibres, dyes, total colour count and current stock are unconfirmed.
Classes & activities · 2017 · Gloved participants handle pale yarn beside metal vessels. The caption identifies a wool-yarn and silk-ribbon workshop and hand dyeing. This records workshop activity at that time; identities, total attendance, dyes and the maker of the background textile are unconfirmed.
Process · 2017 · Pale yarn skeins and ribbon packaged with silk-and-wool dyeing handouts. The caption describes preparing for the following day’s class and identifies wool yarn and silk ribbon. This records material preparation at that time, without inferring class size, a current curriculum or completed dyeing.
Process · 2017 · Brooch-making recorded through small pink, purple and yellow knitted pieces decorated with scissors, spool, button and flower charms. The caption states that the wool yarn was dyed by the artist. This does not attribute the decorative components or background lace to the artist. Dyes, dimensions, total quantity and current stock are unconfirmed.
Classes & activities · 2017 · The caption records exhibition participation. The photographed banner identifies Coexistence and Sharing 2, the 2017 Korea–Taiwan natural-dye exchange exhibition and sharing bazaar, dated 6–12 November 2017. This is a participation announcement; individual exhibits, awards and sales results are unconfirmed.
Process · 2017 · A close view of folded cotton fabrics arranged side by side, with yellow, orange, pink, purple, blue and green tones. The caption describes dyeing play, hand dyeing and cotton. Dye type, total colour count, fabric lengths and current stock are unconfirmed.
Process · 2017 · A pink cotton T-shirt on a hanger shows pale circular patterns. The caption describes madder dyeing on a cotton T-shirt in preparation for a one-day natural-dyeing class and tags alum. This is a historical preparation record, not a current class offer. The background fabric’s maker and dye, and exact dyeing conditions, are unconfirmed.
Process · 2017 · A red T-shirt held open, showing pale circular patterns in several sizes. The caption describes natural madder dyeing and tie-dyeing. This records a dyeing result; class context, identities, fibre and dyeing conditions are unconfirmed.
Process · 2017 · Leaf-patterned fabric strips interlaced and secured with flower-headed pins. The caption identifies eco-printed fabrics. The final form and any connection to other panel records are unconfirmed.
Process · 2017 · Brown ring-shaped marks and diffuse stains appear on a pale scarf. The caption identifies a rust-dyed petit scarf. Fibre, dimensions and dyeing conditions are not specified. The branded fabric in the background is not attributed to the artist.
Process · 2017 · Gathered, crumpled fabric with mixed pink and purple tones. The caption describes pattern dyeing and hand dyed. This records a fabric-dyeing result; fibre, dye, the specific patterning method, total length and current stock are unconfirmed.
Process · 2017 · Pale scarf fabric immersed in orange-toned liquid in a metal vessel. The caption explicitly describes onion-dyeing silk scarves. This records dyeing in progress and is not assumed to be the same batch as the scarves posted on 8 December. Onion part used, duration, temperature, mordant and quantity are unconfirmed.
Process · 2017 · A short-sleeved T-shirt with blue and pale diagonal bands across khaki tones and patterns spreading in several directions. The caption describes T-shirt dyeing, Khaki & Blue and hand dye. Its pattern differs from the circular-motif shirt posted that day. Fibres, dyes, exact dyeing conditions, production quantity and availability are unconfirmed.
Process · 2017 · A short-sleeved T-shirt with a khaki-toned radiating pattern and a pale circular motif against blue. The caption describes T-shirt dyeing, khaki & blue and hand dye. This is a garment-dyeing result; cotton content, natural dyes, the specific tying method, dimensions and current availability are unconfirmed.
Classes & activities · 2017 · A class scene with yellow fabric and metal basins on a table, a person holding fabric while explaining, and participants observing. The caption identifies a natural-dye class using onion dye and mentions silk scarves. Identities, venue, participant count and dye recipe are not inferred. This is a 2017 class record, not a current class announcement.
Process · 2017 · A pale olive scarf loosely coiled and spread over white lace. The caption explicitly identifies onion dyeing and a silk scarf, supporting those material and technique descriptions. Onion part used, mordant, dyeing conditions, dimensions and current availability are unconfirmed. The background lace is not attributed to the artist.
Process · 2017 · A spherical decoration with a white star centre surrounded by folded green and red fabric, alongside Christmas-print fabrics. The caption describes trying again after learning a tip. References to a ten-piece challenge and possibly making six are plans, not completed quantities. Original pattern authorship, self-dyed fabric, dimensions and current availability are unconfirmed.
Process · 2017 · Narrow strips of brown-patterned fabric interlaced and held with pins, beside a pale fabric piece bearing orange leaf marks. The caption describes panel work and eco printing. This records panel assembly rather than a finished artwork. Formal title, fibres, plant species, dimensions and completion status are unconfirmed.
Process · 2017 · Short tied scarves and longer draped scarves arranged together, with varied leaf marks across pink, brown and grey tones. The caption identifies eco-printing scarves. This records a group of scarf-making results. Fibre content, plant species, dimensions, total quantity and current stock are unconfirmed.
Artworks · 2017 · A quilt record with floral and paisley patches arranged in stepped diamonds. “Wedding shower” preserves the original caption. Dimensions and the pattern designer are not specified.
Process · 2017 · A close view of brown and green leaf and stem impressions on light fabric. The post identifies eco printing without specifying the fibre or plant species.
Process · 2017 · Several leaf-patterned fabrics hanging in violet, apricot and grey tones. The caption identifies eco printing; fibre, intended use and current availability are unconfirmed.
Process · 2017 · Violet-and-white patterned fabric beside lengths blending pink and violet. The caption reads “Dyeing”; fibre and dye types are not specified.
Process · 2017 · A close view of orange leaf-vein impressions and leaves on white wool fabric. The post identifies eco printing on wool, without naming the plant species or mordant.
Process · 2017 · Petal-shaped fabric pieces alongside finished and worn rose corsages. The original post calls them rose corsages; it does not identify the doll’s maker or the fabric dye.
Process · 2017 · Frayed surfaces revealed by cutting through fabric layers, shown with cut pieces. The original caption reads “slash” and does not identify a finished work or its use.
Process · 2017 · A material study of thin, colourful fabric offcuts. The artist noted beauty in discarded pieces. This is a photograph of offcuts, not a finished recycled product.
Process · 2017 · Blue indigo-dyed fabrics hanging to dry at Jjokbit Nara. The original post does not specify the fibre or dimensions.
Classes & activities · 2017 · A field photograph showing patterned blue fabric held open at Jjokbit Nara. The artist describes it as patterned indigo dyeing.
Process · 2017 · A wool scarf with orange leaf impressions on a grey-brown ground. The original post identifies wool and eco-printing. Photograph: Sung Soo Koo.
Process · 2017 · Leaf-patterned scarves laid out on protective wrapping for a photo session. The original post does not specify each scarf’s fibre or dimensions.
Process · 2017 · Hand-dyed fabrics folded and stacked by colour for an Amish Circle project. “110 colours” is the artist’s original description, not a finished quilt or a current retail set.
Process · 2017 · Hand-dyed wool in mint, pink and other colours hanging to dry. The original post does not specify the dye type.
Process · 2017 · Folded fabrics arranged by colour, identified by the artist as her own dye work. Fibre and dye types are not specified in the original post.
Process · 2017 · A record of wool skeins dyed in several colours. These materials were photographed in 2017 and do not indicate current stock.
Process · 2017 · Blue wool dyed with acid dyes being wound into a ball. The dye type follows the original post.
Process · 2017 · Silk ribbons coloured with acid dyes being untangled one by one. A record of preparing the material after dyeing.
Process · 2017 · Wool yarn balls and silk ribbons arranged in several colours. This post does not specify the dye type.
Process · 2017 · A record of patterned 30-count cotton dyed with direct dyes. Purple and grey-brown marks overlap a pale blue ground.
Process · 2017 · Linen in several colours, dyed with direct dyes and displayed alongside turquoise and light-green patterned fabric.
Process · 2017 · Twelve 30-count cotton samples. The original notes list direct dyes, tie-dyeing, clamping, immersion and circle patterns. These are fabric studies, not a finished quilt.
Process · 2018 · Colourful folded fabric petals with gathered, stitched bases laid out on a work surface. The caption says Rose corsage ing. This is a making process, not a finished corsage. Total quantity, assignment to a particular event, fibres and dyes are unconfirmed.
Process · 2018 · A pale square textile with brown and dark leaf impressions and yellow marks. The caption’s eco printing, silk and Eucalyptus tags support the material and technique description. Personal health commentary is omitted. Dimensions, mordant, formal title and production year are unconfirmed; the archive year is the posting year.
Process · 2018 · A blue circular wreath and a pair of candle decorations arranged with fabric roses and leaves. Six photographs show the full set, different candle colours, roses, lace and fabric texture. The caption describes preparation for a medical professionals’ gathering with a million-roses theme. Candle colour changes are not counted as separate works. Official event details, actual use, candle maker and flame resistance are unconfirmed; lighting safety is not guaranteed.
Process · 2018 · Folded, stacked fabrics with mottled yellow, orange, pink, plum and blue tones. The caption describes rose corsage fabric and hand dyeing. This is a material-preparation record, not a finished corsage, and does not establish that every fabric was used in a particular wreath. Fibres, dye types and current stock are unconfirmed.
Process · 2018 · Bright yellow fabric in liquid inside a metal basin during dyeing. The caption describes waiting for spring, calls the shade forsythia yellow and specifies hand dyed. Forsythia is a colour reference, not evidence that the plant was used as a dye. Fibre, dye type, temperature and recipe are unconfirmed.
Process · 2018 · Folded fabrics organised by colour in divided studio shelves. The caption mentions fabric organisation and hand dyed. Printed fabrics also appear on the upper shelves, so not every fabric is attributed to the artist’s dyeing. Fibres, dyes, quantities and current stock are unconfirmed.
Process · 2018 · Folded layers of grey and blue-grey fabrics showing tonal variations. The caption notes that the photograph does not capture the colours well. This image is not a colour-accurate physical swatch reference. Fibre content, dyes, total colour count and current stock are unconfirmed.
Process · 2018 · Folded pink, blue-grey, mustard, cream, brown and navy fabrics with visible woven texture. The caption identifies order fabrics, hand dyeing and Amish Circle. This records fabric preparation, not a completed quilt. Fibre content, natural-dye use, total colour count and present order availability are unconfirmed.
Process · 2018 · A textile image with two figures printed in black against a pale background with leaf-shaped marks. The caption explicitly says silk screen, supporting its classification as a screen-printing process record. Personal memorial wording is not reproduced. The formal title, dimensions, production year, base fibre, dyeing method and completion status are unconfirmed.
Process · 2018 · Rows of folded fabrics in white, blue-grey, green, turquoise, purple, yellow and pink on a worktable. The post describes a hand-dyed 110-colour package. That number comes from the caption, not an independent count from the photograph. Fibre composition, natural-dye use, current stock and prices are unconfirmed.
Process · 2018 · Folded layers of fabric in blue-grey, purple, yellow, pink, beige and green tones. The post describes hand-dyed fabric and includes Jeong In-suk’s name and a hand dyed tag. This records fabric work at the time; fibre composition, dye type, total colour count and current stock are unconfirmed.
Process · 2018 · Two paper sheets holding blue, pink, purple, green, red and yellow fabric swatches with yellow number labels. The post uses hawa art quilt and hawa fabric tags. This records fabric-sample organisation; numbers are not interpreted as dye recipes or stock codes. Fibre, dye type and whether this is a current colour chart are unconfirmed.
Classes & activities · 2018 · Wool skeins arranged in green, blue, violet, pink, yellow and brown tones. The post describes wool dyeing during a class. This records class results at the time; merino content, dyes, student numbers and individual makers are unconfirmed. It is not merged with another date’s class or presented as a current class announcement.
Classes & activities · 2018 · A past workshop photograph showing a book being signed beside a participant. The 2018 post recalls a workshop named 카펫파셋 and gives 2011.1.21 and Workshop in Korea. Its relative phrase eight years ago does not match that date and is not silently corrected. The posting year is distinguished from the recalled date; no formal mentorship or qualification is claimed.
Process · 2018 · A studio sewing photograph showing pink and yellow floral shapes and a brown basket motif on white fabric at a sewing machine. The caption describes sewing in the studio, with a companion dog also visible on the lap. This is a making record; the formal work title, source pattern, overall dimensions and completion status are unconfirmed.
Process · 2018 · Ribbons of varied widths in green, pink, purple and orange tones spread out together. The post describes wool-yarn and silk-ribbon dyeing; this photograph specifically shows ribbons. It does not establish visible wool yarn, dye type, measured widths or current stock. It is not assumed to be the same batch as a class on another date.
Process · 2018 · Skeins and wound yarn with pale blue, pink and violet colour transitions. The post identifies wool yarn and uses hawa thread and hawa art dyed tags. This is a dyed-yarn materials record; merino content, dye type and current stock are unconfirmed. The Sunbonnet panel in the background is not counted again as a separate artwork.
Process · 2018 · Log Cabin blocks beside a colour-planning sheet in a reference book on a cutting mat. The post says a quilt is in progress and thirty-six blocks are complete. This count comes from the caption and does not mean the whole quilt is finished. The reference pattern is not presented as the artist’s original design, nor are the printed fabrics described as artist-dyed.
Process · 2018 · A textile with blue edges and green, yellow and purple patterning being ironed. The post describes ironing after natural silk dyeing. This records post-dyeing finishing without inferring dye ingredients, iron temperature or the worker’s identity. It is not assumed to be the same fabric as the pink-edged textile record.
Process · 2018 · A textile with green, yellow and purple mottling layered over a pink and magenta ground. The post explicitly says silk dyeing and Natural dyeing, supporting its description as a natural silk-dyeing record. Dye plants, mordants, detailed technique, dimensions and current availability are unconfirmed.
Process · 2018 · A single panel showing four figures around a table and a cat below, on a pale ground with grey inner and black outer borders. The post calls it papa family. It is recorded separately from the twelve-block Papa’s daily life composition. Pattern authorship, dimensions and completed quilting are unconfirmed, so it is not counted as a finished artwork.
Process · 2018 · A bag body retaining a jeans pocket, with floral decoration and printed fabric panels. The post calls it a remade denim big bag and considers buying new handles or using existing materials. This records work before handle attachment, not a finished item for sale. The retained clothing label does not imply collaboration or sponsorship.
Classes & activities · 2018 · A class photograph of yarn and ribbons in yellow, green, blue, orange and purple drying on a rack. The post identifies a merino-wool yarn and silk-ribbon dyeing class and explicitly names acid dyes. It is not presented as natural dyeing. Student numbers, individual makers and current class dates are unconfirmed.
Classes & activities · 2018 · Exhibition preparation showing hexagonal panels with leaf impressions being arranged on a wall. The post describes installing the Seumida exhibition at Picnique in Jeonju and mentions eco printing. This records installation activity without inferring the total panel count or joint authorship. Identification with an existing artwork, the opening date and full exhibition period require separate evidence.
Classes & activities · 2018 · An exhibition record of scarves with leaf impressions displayed along a railing. The post says Eco printing scarf and tags Picnique and the Seumida exhibition; the photograph is labelled hawa art quilt Jeong In Suk. Individual scarf titles, fibre composition, dyes, availability and the full exhibition period are unconfirmed. The scarves are not each counted as separate finished artworks.
Process · 2018 · Textiles with brown circular and grid-like marks displayed outdoors beside a panel with central embellishment. The caption says Rust dyed. They are grouped as one rust-dyeing record, not counted as separate finished artworks. Formal titles, dimensions, completion year and the central embellishment material are not confirmed.
Classes & activities · 2018 · An outdoor record of patchwork, tree and floral textile pieces laid on grass, with bags behind them. The caption recalls a happy time and mentions Seumida. This post alone does not establish a formal exhibition title, venue or duration. Individual work titles and authorship are not assigned without separate evidence, and the person pictured is not identified.
Classes & activities · 2018 · Preparation photograph of folded dyed garments and packaged ring-shaped floral accessories. The post announces participation in a May 26–27 sale at the Seounam natural dyeing festival at Tongdosa, Yangsan, mentioning aprons, dresses and candlesticks. Posted before the event, it does not establish completed attendance or sales results. This is not a current event or stock announcement.
Process · 2018 · Front and back photographs of a navy apron with pinkish circular patterns, showing a large front pocket and back ties. The post identifies a hand-dyed apron. Both photographs form one everyday dyeing record. Colour alone does not establish natural indigo use; fibre composition, dimensions and current availability are unconfirmed.
Process · 2018 · A worn straw hat decorated with pink, purple and yellow ribbon flowers and fabric details. The post says the author made it and mentions hat remaking and silk-ribbon dyeing. This records the hat decoration, not manufacture of the hat itself. The eco-printed petit scarf mentioned in the caption is not added as a separate artwork without a distinct overall photograph.
Process · 2018 · Twelve Sunbonnet figure blocks arranged in three columns and four rows, with pink borders on a black ground. The post calls it Sunbornet darling and mentions hand dyeing, a Sunbonnet package and a quilt wall hanging. Four overall, tabletop, backlit and detail photographs are grouped as one making record. Pattern authorship, dimensions and final quilting are unconfirmed, so it is not added to the finished-artwork count.
Classes & activities · 2018 · A booth displaying dyed fabrics, scarves, a quilt and packages beneath a Hawa art quilt sign. The post describes the final day of a sales booth at Yoon Quilt Festival. This records participation at the time; the venue and opening date are not confirmed. Individual displays are not all counted as the artist’s own artworks or presented as current stock.
Process · 2018 · A quilt depicting daily scenes such as a rocking chair, woodworking and handling firewood, displayed with packages. The post names Papa’s daily life, twelve blocks and hand-dyed fabric. The lower section is partly obscured, so the block count follows the caption. The original pattern designer and overall dimensions are not confirmed. This is a package record, not a statement of current availability.
Process · 2018 · Straw hats with floral decorations and denim bags with floral fabric additions hang on display. The post describes hat remakes and bags remade from jeans, with a silk-dyeing tag. This records alterations to existing items, not a claim that the straw hats were made from scratch. Dye type, pattern designer and current availability are not confirmed.
Classes & activities · 2018 · A shared booth photograph showing the Cashimom & Hawa Art Quilt sign above booth F-03, with quilt wall hangings, bags, fabrics and accessories on display. The caption supplies no event details, so the event name, location and dates are not confirmed. Not every displayed piece is attributed to Jeong In-suk, and people are not identified by their faces.
Process · 2018 · Two turquoise tote bags showing a colour gradient and pale circular tie-dye patterns. The post describes colouring promotional tote bags received with purchases using T blue. This records re-dyeing existing bags; it does not claim that the artist sewed the bags or used natural indigo.
Classes & activities · 2018 · An exchange record showing received floral-embroidered round accessories and a hand mirror. The post says a teacher who attended the previous month’s class sent twelve gifts for judges and the artist, and names Kkoppaneul. These received pieces are not counted as Jeong In-suk’s individual artworks. Final delivery and the competition name are not confirmed; the personal note is omitted from public photographs.
Process · 2018 · Small fabric pieces in green, brown, blue, turquoise, purple and yellow tones arranged in four rows. The post describes a hand-dyed 130-colour package set. The number comes from the caption, not a count measured from the photograph or current stock. Quilt names in the tags are not counted as finished artworks shown here.
Process · 2018 · Dyed fabrics in yellow, red, pink, green, brown, blue and purple tones arranged in three folded stacks. The post identifies hand-dyed 30-count cotton and records 100 colours and 200 ma. Material and quantity are the poster’s description, not measurements from the photograph. They do not establish current stock or dye type.
Classes & activities · 2018 · A group photograph in front of the judging-site backdrop for the 2018 Zhang Jian Cup China International Home Textile Product Design Competition. The post describes jury activity at the home-products design competition. This is not an award record, and individual people are not identified from their faces. The judging category and exact judging date are not confirmed.
Classes & activities · 2018 · A scene of several people preparing on a stage in front of a large screen. The post describes a Zhang Jian design competition awards rehearsal at Nantong Textile Hotel. It was posted in 2018; the slide date 2017.10.10 is not treated as the event date. This photograph does not establish an award or a jury role.
Process · 2018 · White yarn is wound around a wooden frame, with cones and skeins prepared nearby. The post describes repeated winding for the next day’s class and tags wool, silk ribbon and merino wool. Not every visible material is identified as the same fibre. This is preparation, not a finished dyeing result or a current class announcement.
Classes & activities · 2018 · A class record showing dyed yarn skeins in orange, pink, green, blue and purple tones. The post presents them in the context of student results from a wool-yarn dyeing class. They are not counted as the artist’s individual artworks or current stock. Dye type and class location are not confirmed.
Process · 2018 · Three patchwork blocks featuring curved circular forms, a stepped diamond and triangles on a white ground. The post describes completing the last three blocks and waiting for border fabric. This is work in progress, not a finished quilt; official pattern names, designers and dimensions are not confirmed.
Process · 2018 · A work-in-progress close-up with pale motifs on a dark blue ground and a blue-violet striped border held with safety pins. The post describes finishing before an exhibition, using indigo and stencil resist dyeing. It includes a Ksitigarbha hashtag, but only part of the imagery is visible; this is not presented as a full view or a confirmed formal title.
Classes & activities · 2018 · Exhibition preparation showing scarves shaped into roses and attached to a wall. The post describes making roses from scarves during installation and names Coexistence and Sharing 3. This is separate from the Jakarta invitation exhibition. The venue, full schedule and identities of the people pictured are not inferred.
Classes & activities · 2018 · An invitation-exhibition poster for the Korean Cultural Center in Jakarta. The poster and post give November 7–10, 2018, with an opening at 5 pm on November 7, and advertise a free boutonniere activity. This is a past-event record, not a current invitation. The featured works are not all attributed to Jeong In-suk.
Process · 2018 · Fabric arranged by violet, pink, blue, yellow and green tones on a worktable. The post describes 25 days of dyeing and selecting 130 colours from 156. Those numbers come from the maker’s account, not a visual count. They do not indicate current stock, orders or separate artworks.
Classes & activities · 2018 · A butterfly-shaped boutonniere in floral fabric on a white garment. The post names a boutonniere workshop and the Korean Cultural Center in Jakarta. Teaching roles, attendance and the pattern designer are not confirmed.
Classes & activities · 2018 · An on-site photograph with audio equipment in front of exhibited textiles. The post describes a live Korean-community TV interview at the Korean Cultural Center in Jakarta. The broadcast footage and broadcaster’s official name have not been verified, and no title is invented for the pictured artwork.
Classes & activities · 2018 · Round badges featuring artwork photographs, prepared for an exhibition event. The post says they were intended for visitors to the Korean Cultural Center exhibition in Jakarta. This does not confirm distribution or attribute every pictured work to one artist.
Classes & activities · 2018 · Installation documentation for the fourth Creative Quilt exhibition. The wall text confirms the exhibition title and lists Jeong In-suk among the participating artists. The post describes preparations at Insa Gana Art and announces an opening at 2 pm the following day. Panels by multiple artists are not counted as Jeong’s individual works. The closing date is not confirmed.
Process · 2018 · A dye-test record showing folded herringbone fabrics in orange, grey, blue, turquoise and pink tones. The post names Ohara wool fabric and describes a fabric dye test. The material identification comes from the post and does not imply an official supplier collaboration or certification. Dye type and current stock are not confirmed.
Process · 2018 · Skeins in blue, violet, pink, yellow and green arranged beside coloured fabric pieces. The original post identifies them as hand-dyed wool yarn and wool fabric. Individual materials are not counted as separate artworks; the dye type and current stock are not confirmed.
Artworks · 2018 · A textile work placing birds and flowers against a layered-colour ground. The photographed catalogue spread identifies Jeong In-suk and the title The Evening Glow. The post describes looking at the sunset with a loved one and names the fourth Creative Quilt Meeting exhibition. This is a catalogue record, not a statement of current availability.
Process · 2018 · A process photograph showing a transparent sheet with a drawn figure pinned over a peach-and-turquoise ground. The post describes panel work, collage and an homage to Alphonse Mucha. The source reference is retained; this is not presented as a finished work or an original figure design by the artist. The sheet material and subsequent process are not confirmed from the photograph.
Process · 2018 · An embroidery sample made with dyed merino wool. Blue, violet, red and pale green threads radiate across pink fabric in a round hoop. The material and dyeing-before-embroidery sequence are identified in the original post. Dye type, colourfastness and current availability are not confirmed.
Artworks · 2018 · A figure rendered in line on a pink-and-yellow panel with dark linear marks. The post identifies the work as an homage to Alphonse Mucha referencing a Salon des Cent exhibition poster. The figure design is not presented as the artist’s original invention. The bird-and-flower embroidery in the background is not attributed as a separate work in this record.
Process · 2018 · A mint-coloured, flower-shaped sewing accessory with pink and white floral embroidery and purple beads. A green central button and thread spools beneath are visible. The post describes finishing it after several years and adding beads. The exact product name and pattern designer are not confirmed.
Process · 2018 · A materials record showing rolled batik fabric pieces in varied colours. The post explicitly says the fabrics were purchased. They are not presented as fabrics dyed by the artist, current sales stock or a count of finished artworks.
Process · 2018 · Fabric with interconnected crack-like patterns in pink, violet, turquoise and yellow tones. The original post identifies it as crack dyeing. Fibre composition, dye, resist material and dimensions are not specified. This records a dyeing result at the time, not current stock.
Process · 2019 · Five photographs of folded hand-dyed fabrics in pink, red, green, blue, yellow and grey tonal ranges. The post introduces Hawa hand-dyed fabrics. Customer-made quilt photographs from the same post are not included, and these material photographs are not classified as finished artworks. The historical reference to about 220 colours is not current inventory. Fibre content, dyes and colour accuracy against the actual fabric are unconfirmed.
Classes & activities · 2019 · A China Eastern aircraft photographed at an airport. The caption states departure that day to judge the Zhang Jian home-textile design contest. This documents the departure post, not completed judging or an award. The aircraft’s character artwork is not the artist’s work. It is not merged into one continuous trip with the late-September ceremony.
Classes & activities · 2019 · Results from a one-day class in scarf re-dyeing and T-shirt tie-dyeing. The source photographs show tying and releasing beads in a scarf, a brown scarf and shirts with varied patterns. These are class results, not finished works attributed solely to the artist. Fibre and dye types and current class dates are unconfirmed.
Classes & activities · 2019 · A record from the 2019 Zhang Jian Cup home textile design awards ceremony in China. The caption describes attending with fellow artists who received awards. The gold, silver and bronze awards mentioned belong to those artists, not to Jeong In-suk. Works exhibited in this post are not attributed to her.
Classes & activities · 2019 · A class record showing eco-printed scarves with brown and orange leaf impressions. The caption describes making scarves and tulip brooches in the final class of 2019. These are class results, not works attributed solely to the artist. The wool or silk composition of each scarf and the number of participants are unconfirmed.
Classes & activities · 2019 · A portrait introduced by Jeong In-suk as her profile photograph. Photograph: 구성수. Published on 7 November 2019; the date and location of the shoot are unconfirmed. The clothing is not presented as work made by the artist.
Process · 2019 · Pressing small blocks pieced from printed fabrics on a grey felt board. The caption identifies a wool pressing board and describes using it for small blocks. This documents tool use, not a board made by the artist. Fibre content, dimensions and weight have not been independently verified and are not presented as product specifications.
Process · 2019 · Custom-dyed fabrics ranging from pale blue to navy and black. The caption describes fabrics for quilt sashing and borders, noting that photographs do not fully capture their colours. Three photographs document the same group of fabrics and its details. Blue colour alone does not establish indigo or natural dyeing.
Process · 2019 · Coloured retaining rings fitted around thread and ribbon spools. The caption presents them as a way to secure loose ends for storage. This documents studio organisation, not tools made by the artist. Historical set quantities are not current sales terms.
Process · 2019 · Hand-sewing small fabric yo-yos with printed fabric, needles, scissors and a circular tool. Gathered fabric circles lie on the work surface. This is not linked to a particular finished work or class result, and the fabric prints are not attributed to the artist.
Process · 2019 · Stacks of hand-dyed fabrics in warm and cool colours. The caption records a day dispatching 50-, 100- and 130-colour packages, not the quantity shown or current sales options.
Process · 2019 · Printed fabric squares being joined at a sewing machine. The caption describes using a machine that had been waiting for some time. A link to a particular finished quilt and authorship of the fabric prints are unconfirmed.
Process · 2019 · Punching stitching holes in a red leather strap. The caption identifies this as preparation for attaching a bag handle. This is a making process, not a finished bag; leather type and tool specifications are unconfirmed.
Process · 2019 · Three skeins in orange, pink and yellow, turquoise, and pale pink and green. The caption identifies pure linen yarn dyed in preparation for a class. Dye type, recipe, length and current stock are unconfirmed.
Classes & activities · 2019 · An archived studio notice introducing hand quilting, machine quilting and dyeing classes. The December 2019 post advertised January 2020 classes. The address and blog printed in the photograph are historical, not current enrolment or visiting instructions. Please enquire through this site for current classes and visits.
Process · 2019 · A preparation record of packaged coloured fabrics. The caption describes a 130-colour package for Amish Sunbonnet Darling and discusses balancing dye quantity, time and colour mixing. The colour count comes from the caption. The printed quilt is reference material, not a finished quilt attributed through this photograph. This is not a current sales offer.
Artworks · 2019 · The original caption identifies the blue flower-and-bird tote indicated by the finger in the upper row as the artist’s work. This exhibition photograph includes other bags and is partly obscured by a hand. Neighbouring bags are not attributed to the artist. Current availability requires enquiry.
Artworks · 2019 · The blue tote depicting a boat, indicated by the finger in the lower row. The original caption identifies it as the artist’s creative-quilt tote. Other bags on display are not attributed to the artist. Its formal title, dimensions and completion date are unconfirmed; the date shown is the posting date.
Process · 2019 · Flowers, petals and stems arranged on a silk scarf in preparation for botanical dyeing. Posted on Christmas Eve, the original caption expresses hope for a pleasing result. The photograph shows preparation, not the dyed colours or a finished scarf.
Classes & activities · 2019 · Results from a class dyeing wool yarn, silk ribbons and wool fabrics. The original post reflects on the different colours produced while working together. The silk ribbons show blues, pinks, greens and browns. This documents class results rather than a finished solo artwork.
Classes & activities · 2019 · Several people hand-stitching dark checked and striped fabrics layered with batting. The original post describes hand quilting and a Friday gathering. Individual contributions are not identified; this is not presented as a finished solo artwork or a paid class.
Process · 2019 · The worktable while dyeing silk ribbons and making samples for fairs in Busan and Seoul. Ribbons of different widths and colours sit alongside bobbin cards and embroidery hoops. The tools and lace are working materials, not presented as finished artworks by the artist.
Classes & activities · 2019 · A dyeing class held with teachers from the Victoria team. Dyed yarn has been arranged into skeins. The original post also shows wool fabrics, silk ribbons and yarn drying. These photographs document class materials and results, not finished works made solely by the artist.
Process · 2019 · Fabrics fanned out with orange, turquoise and purple blending into yellow and green. The original post presents them as Hawaiian circle fabrics. These are folded dyed materials, not a finished quilt.
Process · 2019 · Fabric swatches being prepared for a fair in Busan. The differently sized pieces show solid colours alongside mottled patterns. This preparation photograph dates from 2019 and does not represent a current sales bundle or stock availability.
Process · 2019 · Hand-dyed fabrics cut in preparation for the Busan K-Handmade Fair. The stacked edges retain traces of cutting. The original post also includes narrow offcuts and fabrics grouped by colour.
Classes & activities · 2019 · Wool yarn and silk ribbons laid out in grey, light green, pink and blue. The original post identifies them as the results of two participants in that day’s dyeing class. The photograph shows how colour appears across yarn and ribbon.
Classes & activities · 2019 · An exhibition record from the Busan K-Handmade Fair, held on 5–7 July 2019 in Hall 2 of BEXCO Exhibition Center 1. Figurative everyday-life quilts, a botanical Hawaiian-style panel and hand-dyed fabrics were displayed together. Not every item in the shared booth is attributed solely to the artist.
Process · 2019 · Stacks of dyed fabrics in grey, blue-grey and pale violet. The original post describes an order intended for works in an overseas exhibition. It does not name the exhibition or works, or confirm their eventual display; this is not presented as the artist’s own overseas exhibition credit.
Classes & activities · 2019 · Fabrics with grids, diagonal lines and diffuse patterns laid out in a direct-dye class. The original post mentions clamped resist dyeing, shibori and tie-dyeing. Techniques and makers are not identified for each fabric; this is not presented as natural dyeing or solely the artist’s finished work.
Classes & activities · 2019 · A ribbon-dyeing workshop held on the final day of Handarty Korea in 2019. The photograph shows a prepared table with teaching materials, dye solutions and ribbon samples. The original post also documents demonstrations and participants’ results. This is a past activity, not a current event announcement.
Classes & activities · 2019 · Solid-colour and circular-pattern fabrics documented in a direct-dye class, with yellow, pink and green combinations alongside blue and grey variations. This is not described as natural dyeing, and the fabrics are not all attributed solely to the artist. An archive of a past class.
Artworks · 2019 · An exhibition photograph of a landscape quilt depicting buildings, trees, moored boats and water. The original post names the work and identifies hand printing and machine quilting. This is an on-site photograph beside the work; the exact exhibition title and venue are not established by this post.
Process · 2019 · Wool yarn combining pink, yellow and green tones, photographed with silk-ribbon spools. The artist describes it as a wool-dyeing sample prepared for the following day’s class. This is a preparation record, not student work or a current class announcement.
Artworks · 2019 · A large stitched bag with pink flowers and green leaves. The post identifies hand-dyed fabrics, patterned dyeing and Dancing Needle handles. The artist intended it as a fair sample; this does not establish that it was exhibited. Current stock is unconfirmed.
Artworks · 2019 · A bag combining silver leather and antique-style printed fabric. The artist completed a previously made body by attaching woven handles and a hook strap. The post identifies the hook strap as Dancing Needle; the printed motif’s original designer is unconfirmed.
Process · 2019 · Hand-dyed silk ribbons with pink, purple and green tones. The original post describes a marbling effect. The dye type and ribbon widths are not specified; this record does not indicate current stock.
Artworks · 2019 · Bracelets combining recycled denim, silk-ribbon roses, lace, assorted yarns and buttons. Photographed together during commissioned production in 2019. This archive does not indicate current stock or ordering quantities.
Classes & activities · 2019 · A view of Jeong In-suk’s solo exhibition at Geumjang Salon in Gyeongju, held from 19 to 30 August 2019. The title and dates on the exhibition banner were checked against the original post. An archive of textile wall works and dyeing studies, not a current event.
Process · 2019 · Eco-printed scarf studies recording leaf shapes and textures in varied colours. The post mentions natural dyeing, lac, marigold and an iron mordant. It does not specify the dye mixture or fibre for each photograph.
Artworks · 2019 · A quilt developed from the artist’s photograph of a small harbour in Seocheon. Hand-dyed, indigo and rust-dyed fabrics combine with machine appliqué, quilting and fabric-dye shading. The artist states that the work was revised after this photograph, so it differs from the final exhibition version.
Process · 2019 · A scarf tie-dye process using marbles secured with rubber bands. White ring patterns appear where some bindings have been removed from the blue fabric. The dye type and exact fibre are unconfirmed.
Process · 2019 · Commissioned fabric and application samples for a church cross-making workshop. Small washers and safety pins were used for rust dyeing, with silk-ribbon flowers added. This record does not establish that the artist taught the workshop or confirm delivery quantities.
Process · 2019 · Plain fabrics arranged in blue, red, green and black colour groups. The original post describes them as hand-dyed. Fibre and dye type are unspecified; this record does not indicate current stock.
Classes & activities · 2019 · Announcement for the group exhibition held on 18–23 December 2019 at Gallery Insa Art (formerly Gana Art Space), Exhibition Hall 2. Jeong In Suk appears in the original participant list. The poster lists the opening at 2 pm on 18 December.
Process · 2019 · Stitching reflective triangular details onto a turquoise and pale-green velvet scarf. The post describes burnout processing and consultation for a university assignment. Sole authorship is not attributed to the artist; dye and fibre composition are unspecified.
Process · 2019 · A denim eco-bag panel inspired by a boat seen near Jebudo’s red lighthouse. This process photograph shows the hull, wheelhouse and ropes, not the complete finished bag.
Artworks · 2019 · A denim bag with floral and bird motifs. The post records a Creative Quilt eco-bag project and Dancing Needle handles. The printed motif designer is unconfirmed; this archive does not indicate current stock.
Process · 2019 · Hand-dyed fabrics arranged by colour on a cutting mat, with small pieces beside scissors and folded fabrics in wooden boxes. The original post introduced a 100-colour package; this is a historical record, not a statement of current stock or order contents.
Process · 2019 · Pink and plum tones spread across a length of fabric. The post describes adjusting a three-metre piece to the customer’s intent and explicitly notes that no photograph of the revision was taken. This image documents the process, not the final delivery.
Process · 2019 · A cutting table for a patchwork curtain, with floral and geometric fabric pieces beside a clear ruler and rotary cutter. The post describes using feedsack fabric to make up a shortage. This is a process image, not the finished curtain.
Process · 2019 · Red petals and layered blue and olive tones form dimensional flowers. The post records a preference for vivid colours and a felt-work concept. This is a study of colour and form, not a finished artwork with a confirmed formal title or dimensions.
Process · 2019 · A handmade cord basket holds small balls of yarn and knitting, with dyed skeins and miniature knitting needles arranged nearby. The post describes miniature work using dyed wool yarn. Exact dimensions are not recorded.
Process · 2019 · Dyed skeins in green, blue and yellow tones sit beside silk ribbons wound onto cards. The post records these materials being taken away, with the hope that they would become new works. It does not describe current stock or order contents.
Artworks · 2019 · Printed patchwork pieces joined with a light-green ground and a plum border. The 2019 post says the quilt was completed in a one-day class the previous year and later given to family. The post dates to 2019; completion is described as 2018. It is not a current sale listing.
Classes & activities · 2019 · Amish dolls and miniature objects arranged in a wooden box as a small kitchen. The post records dusting and arranging the dolls. Individual makers of the dolls, furniture and decorations are unconfirmed; the entire display is not attributed to the artist’s hand.
Artworks · 2019 · A hanging nappy holder made with fabric left over from a baby quilt. Colourful printed pieces are joined with white fabric, topped with stripes and lace. The fabric prints are not attributed to the artist’s design; this is not a current sale listing.
Process · 2019 · Doll instruction booklets, pale turquoise and ivory fabrics, miniature baskets and floral decorations prepared together. The post records dispatch preparation for Amish doll packages. Pattern authorship and makers of individual accessories are not inferred; this photograph does not specify current sale contents.
Classes & activities · 2019 · A record of Korean Style at AQC in Melbourne, Australia. The quilt with a botanical centre and small square-piece border is attributed to Jeong In Suk by comparison with the catalogue and named label in the 5 April post. Other displayed quilts are not attributed to her. In that earlier post, the artist said she could not attend; exhibiting work is distinct from personal attendance.
Process · 2019 · Silk ribbons with washes of pink, purple, orange and turquoise. The original post lists widths of 2, 4, 7, 13 and 25 mm. These are historical work details, not measurements taken from the photograph or a list of currently available specifications.
Process · 2019 · Fabric with overlapping washes of black, grey and white. The original post describes custom dyeing in black and grey. Fibre, dye type and dimensions are unspecified; this record does not indicate current stock.
Process · 2019 · Silk ribbons in pink, plum and green groups laid on white lace. The post records custom silk-ribbon dyeing continuing on a Sunday. The number of groups in the photograph does not establish order or sales quantities.
Classes & activities · 2019 · White silk ribbon, wool yarn and wool fabric arranged alongside dyed materials. This photograph accompanied an April 4, 2019 announcement for a class scheduled for April 11. It is a materials preview, not evidence of the completed class or a current booking notice. Historical payment and refund terms do not establish current policy.
Process · 2019 · Hand-dyed silk ribbons in pink, purple, green and grey wound onto paper bobbins to show their colour variations. The same post includes unwound ribbons and rose-shaped examples. The caption identifies hand-dyed silk ribbon and ribbon embroidery, without establishing widths, lengths or sale quantities.
Artworks · 2019 · A wall hanging with a figure and dragon motifs against deep indigo, framed by blue striped borders. The original post describes stencil-pattern dyeing with indigo. This is an exhibition photograph; the formal title and dimensions have not been confirmed.
Artworks · 2019 · A vertical textile work with human silhouettes and text-like marks over layered colours. The original title is Dream catcher, with materials listed as Mix Media and ink. The post gives 71 × 130 without a unit. Part of the upper edge is outside the photograph.
Process · 2019 · Pink, pale grey and lilac fabrics arranged with multicoloured ribbons. The original post introduces dyeing silk ribbon, silk and chiffon, with classes for florists. Individual fabrics are not assigned a fibre solely from the photograph, and this is not a current class schedule or stock listing.
Process · 2019 · Leaf shapes and veins in brown, green and yellow on a pale leather surface. The artist describes this as an early attempt and identifies pigskin and eucalyptus in the original post. Its three close-ups show different surface areas, not three separate works.
Classes & activities · 2019 · An announcement for an eight-artist quilt exhibition at Insa 1-gil Culture Space, March 21–31, 2019. Jeong In Suk appears in the poster’s artist list. This was a group exhibition, not a solo show; the announcement was posted on March 18.
Process · 2019 · Hand-dyed wool skeins arranged on a cutting mat, from vivid red, pink and blue to pastel, grey and brown tones. The original post identifies merino wool and hand dyeing. Its statement that the yarn had sold refers to that time, not current stock or sales quantities.
Artworks · 2019 · A commissioned basket of pink, purple, plum and orange fabric roses with green leaves. The original post records 50 roses. That is a historical production description, not an independently counted total from the photograph or a current ordering specification.
Process · 2019 · Folded fabrics arranged in blue, green, yellow, orange, pink, purple and brown groups. The original post introduces a 140-colour hand-dyed fabric package. The number comes from that historical caption, not a separate visual count or current colour availability and stock.
Artworks · 2019 · A bag combining checked, herringbone and solid wool remnants with red handles. The original post describes making it from leftover Harris Tweed pieces and includes a photograph of the patchwork layout. A related March 22 post credits a Cheon Song-i bag pattern, so it is not presented as the artist’s original pattern.
Process · 2019 · A white pieced ground with small coloured squares, curved bias strips and a plum triangular form. The original post uses festival and Dots & Bias. This records the visible quilt-top stage, not a confirmed fully quilted and bound piece.
Process · 2019 · A detail of a wool bag combining checks, herringbone and cable-knit pieces. The original post explains that the khaki cable-knit fabric came from a jacket the artist’s mother often wore. This documents that material’s reuse without assigning the same origin to the other fabrics.
Process · 2019 · Pastel fabrics in pale grey, mint, pink and yellow. The original post describes a custom order for the sky in a house-pattern quilt. This is a material record, not a photograph of the finished work; fibre, dimensions and current stock are unconfirmed.
Process · 2019 · Folded fabrics stacked on a cutting mat, ranging from yellow-green to deep green and teal. The original post identifies them as green hand-dyed fabrics. Fibre, dye type, dimensions and current stock are unspecified.
Process · 2019 · Pink, red and purple fabric roses with green leaves joined into a vine. Companion photographs show petal fabric, buds and assembly. The original caption describes 30 roses; this is the historical caption’s count, not an independent count from the photographs.
Process · 2019 · A colour-mixing study adding khaki, red, black and yellow to a sky-blue base. Folded fabrics show blue-grey, grey-green and brown tones. This documents a historical experiment, not a current sales colour chart.
Process · 2019 · Dyed fabrics moving from deep burgundy through pink to pale tones, described in the original post as burgundy gradation. Fabric dimensions and current availability are not confirmed.
Process · 2019 · Hand-dyed fabrics arranged by colour on the worktable for packaging. The original caption mentions 100-, 50- and 30-colour sets. These are historical descriptions, not current ordering options or verified counts of each photographed bundle.
Process · 2019 · A material record introducing wool fabric, merino yarn and silk ribbon. The photograph brings pale fabrics, yarn and ribbon together with multicoloured dyed samples. Companion images show dyed wool textures, yarn skeins and ribbons of different widths. This is not a current sales package or class schedule.
Process · 2019 · A dyeing study with repeating blue and purple diamonds and crossing lines on pale fabric. The caption mentions patterned, immersion and resist dyeing, noting that more practice is needed. This is not presented as a finished product or evidence of a held class.
Process · 2019 · A JUKI TL-2010Q sewing machine and cut fabric on the worktable. The caption records changing machines and looking ahead to the year’s work. This documents a tool used at the time, not sponsorship or a current equipment inventory.
Artworks · 2019 · A pouch with dark wooden handles and rippling purple-green fabric texture. Companion photographs show what appears to be another side and a fabric detail. The views are not counted as separate works; dimensions, pattern attribution and current availability are unconfirmed.
Process · 2019 · A studio record of changing the ironing-board cover before tackling a pile of fabric. The photograph shows the white cover, iron and fabrics waiting beside it. This documents preparation and tool care rather than a finished artwork.
Classes & activities · 2019 · Admission invitations accompanying a post about departing to attend Quilt Time Festival. The tickets list May 30–June 1, 2019, at Pacifico Yokohama Exhibition Halls A and B. This photograph alone does not establish an award, judging role or number of attendees.
Classes & activities · 2019 · A wall at the eight-person quilt exhibition Seumida, showing green lotus-pod forms on the left and brown panels with an eye motif on the right. The caption mentions One Year Later and Gaze, but their left-right title mapping is unconfirmed. This is a venue record, not two additional individual artwork entries.
Artworks · 2019 · A frame bag combining a text-patterned ground and floral collage, paired with a rose bracelet. The caption describes carrying a bag made long before and identifies the bracelet as silk-ribbon roses. 2019 is the posting year, not a confirmed making date. The decorative button does not establish a brand collaboration.
Artworks · 2019 · Handled drawstring bags made from floral and text-patterned fabric. Companion photos show arranging the cords and rose bracelets. The caption describes making six laptop-sized bags and miniature bracelets. That is a historical count, not an independent visual tally or current stock. The original print designer is unconfirmed.
Process · 2019 · A quilt top pieced from small squares of assorted printed fabrics. The caption records starting on November 14, 2014, and finishing the top five years later, using 1,292 two-by-two-inch pieces. These details come from the historical caption, not an independent visual count. It is not presented as a fully quilted and bound piece.
Process · 2020 · Folded fabrics are arranged in two rows from pale grey through blue-grey to dark tones. The caption introduces them as a custom hand-dyed set of 15 greys. That count is the historical caption’s description, not a current stock list, colour chart or fibre specification. Screen and lighting conditions may alter the appearance of the colours.
Artworks · 2020 · Two dark pouches carry appliquéd bears in floral tops, one with a skirt and one with trousers, with small flower details and handles. The caption says work began at a Friday gathering, the pattern was adjusted to tilt the heads, and the pouches were finished that day. This records making and adapting an existing pattern, not authorship of the original design.
Process · 2020 · Cut fabric circles and gathered yo-yo pieces sit on the worktable with scissors, thread and a green circular tool. The caption describes making yo-yos from precut fabric in spare morning and evening moments before going to the studio. Their final use, dimensions and current kit contents are unconfirmed.
Process · 2020 · Small hexagons of green, blue, yellow and red printed fabric are being joined into rows, with loose pieces and a pin on the table. The caption mentions 1 cm hexagons and a bear tape-measure case. The photograph shows piecing in progress, not a finished case; the measurement convention for 1 cm is not specified.
Process · 2020 · Six folded fabric bundles range from white to dark blue-grey, with varied mottling and contrast. The caption describes an order for a painter in Chuncheon and says the fabrics were intended for work for that painter’s solo exhibition in France. This records fabric preparation, not a French solo exhibition by Jeong In-suk or the painter’s completed work.
Process · 2020 · Bundles and stacks of floral, dotted and geometric fabrics are arranged on a cutting mat. The caption mentions curtain kits and ordered products. This records preparation of commercially printed fabrics, not patterns drawn or dyed by the artist. Finished curtains, exact kit quantities and current stock are not established by this photograph.
Process · 2020 · Blue-grey knitted gloves and white gloves are spread across a studio drying rack. The caption records custom glove dyeing. The image does not establish whether the white gloves are undyed or whether this is the same order as the later black-glove record. Fibre composition, dye, quantity and delivery status remain unconfirmed.
Process · 2020 · Black knitted gloves hang from pink and blue pegs. The caption records glove dyeing carried out late the previous night and the black colour result, with a custom-dyeing tag. It does not establish manufacture of the gloves, fibre composition, dye type, colourfastness or completed delivery.
Process · 2020 · Floral, cherry and striped fabric pieces and white strips cover a table beside a sewing machine. The caption mentions ironing fabric for dispatch. It does not establish that these pieces are that shipment or identify their final project. The printed designs are not attributed to the artist, nor are these fabrics described as hand-dyed.
Process · 2020 · Two ironing boards stand in the studio: one with bird and butterfly prints, the other with pale stripes. The caption describes renewing both covers because of frequent ironing and says one board was bought second-hand. This records tool upkeep, not authorship of the fabric prints or bags in the background.
Process · 2020 · Pale herringbone cloth with red stripes lies beside lace and floral embroidered fabric. The caption describes a plan to make a hemp-linen bag. This is material preparation, not a finished bag; the final shape, makers of the lace and embroidery, and exact fibre composition are unconfirmed.
Process · 2020 · Wooden pegs tied with pink and teal ribbons sit beside variegated yarn and wooden bobbins. The caption describes late-night preparation for a silk-ribbon dyeing class for florists. This preparation record does not establish that the class took place, its attendance or a current enrolment schedule.
Process · 2020 · Skeins in pink, purple and orange sit above greens, mint and yellows in two rows. The caption identifies a yarn order with finishing still to do. This 2020 work record is tagged as wool-yarn dyeing; the photograph does not establish fibre percentages, weight, dye type or current order terms.
Process · 2020 · Purple, pink, orange, yellow, blue and green hand-dyed swatches are gathered on a worktable. Frayed edges and mottled colour variations remain visible. The original caption notes colour transfer on some fabrics and advises washing separately. This is a 2020 preparation record; its historical sales and shipping notice does not describe current stock or order terms.
Process · 2020 · Light-green, green, teal and pale-blue fabrics are folded and grouped by colour around a cutting mat and wooden box, with offcuts nearby. The caption describes finishing the green-toned batch and mentions a 100-colour hand-dyed fabric package. The photograph does not verify all 100 colours, piece dimensions or current stock.
Process · 2020 · A striped sock doll sits beside a long pillow with a rabbit face. The caption introduces them as a space-character sock doll and rabbit nap pillow and mentions after-school class materials. This records teaching materials, not a completed class or authorship of each design. Current availability, intended ages and safety certification require separate confirmation.
Artworks · 2020 · Diamonds in burgundy, yellow, green, pink and blue form an eight-point star on white, framed by blue and burgundy borders. The caption names a Bethlehem wall hanging, gives 120×120 cm and mentions kit preparation. That is the historical stated size, not an independently measured dimension or current sales offer. No claim of original authorship of the traditional pattern is made.
Process · 2020 · Folded plum, pink, beige and grey fabrics are stacked on a cutting mat, with scissors and a rotary cutter in front and more fabrics sorted in a box behind. The post mentions hand-dyed fabric and dyeing packages. Cut sizes, quantities, fibre composition and current stock cannot be established from this photograph.
Classes & activities · 2020 · Botanical and star-pattern quilts hang above colour-sorted fabrics, figure appliqués and a bag. The caption records finishing a sales display on the second floor of Exhibition Hall 1 at Kyung-In Museum of Fine Art, distinct from the Yoon Quilt members’ exhibition downstairs. Not every displayed design is attributed solely to the artist; this historical display does not establish current stock or sales results.
Artworks · 2020 · Pale translucent fabric forms a rounded moon-jar outline edged with green stitches. The caption describes a moon jar made with hanbok fabric, displayed with a flower and leafy stem. Its internal structure, water resistance, dimensions and exact fibre composition are not established.
Process · 2020 · The collage shows pale pink, yellow and teal colour on an open-weave fabric, alongside mixing containers, brushes and material jars. The caption describes an initial colouring session the previous night as work on a piece began. The exact materials and fibre are unconfirmed, so this is not labelled natural dyeing or a specific technique.
Process · 2020 · Wet dark-brown and lighter-brown fabrics sit in two metal basins. The caption records dyeing on a humid summer day and includes a custom-dyeing tag. The photograph and text do not establish the dye type, fibre composition, order quantity or final dry colour.
Classes & activities · 2020 · An advance notice for the 8th SM Art Quilt Group Exhibition, scheduled for August 26–September 1, 2020 at Gallery 2 of Kyung-In Museum of Fine Art. The caption discusses the decision to proceed and infection-prevention preparations. This notice does not itself document the completed event or identify the artist’s individual exhibits.
Process · 2020 · Log cabin blocks with purple centres and white, mint, pink and teal strips are arranged in the studio. The caption thanks someone for sharing needed fabric and describes eleven blocks still to make. This is a quilt-top work in progress, not a finished quilt or a claim that the artist designed or dyed the printed fabrics.
Classes & activities · 2020 · The original four-panel collage shows yarn drying on a rack, ribbons, arranged skeins and fabric pieces. The caption records a private wool-dyeing class held the previous day, September 27. Individual makers are not identified, so these materials are not counted as works made solely by the artist. The historical class notice does not establish current availability or sales terms.
Process · 2020 · A close view of checked fabric shows red, pink, blue and grey threads crossing its surface. The caption records newly arrived fabric and plans for autumn and winter bag designs. This is purchased material, not a finished bag or evidence of fabric woven or dyed by the artist.
Process · 2020 · Checked and herringbone fabrics in red, pink, yellow, blue and green are arranged side by side. The caption describes combining newly arrived fabrics with an existing collection for future work. This records the selection of purchased materials, not weaving or dyeing by the artist. Visible labels are not independent authentication; current stock and prices are unconfirmed.
Process · 2020 · White and coloured skeins, ribbon rolls and fabric are arranged on a worktable, with white yarn wound between wooden pegs. The caption describes preparation for the next day’s class, not evidence of its completion or attendance. A material label visible on one package is not applied to every yarn. Current class dates and sales bundles require separate confirmation.
Process · 2020 · Skeins in green, brown, red, yellow, pink and blue show solid and mixed colours alongside visibly fuzzy textures. The caption mentions selling yarn to someone beginning embroidery. The meaning of the numbered tags and each skein’s fibre composition, weight and length are unconfirmed. This historical sales reference is not a current stock list or ordering offer.
Process · 2020 · A close-up of two fabric-covered buttons at the ends of beige ties against checked wool patchwork. Each button uses a different fabric colour. The caption describes covering the buttons and mentions a drawstring bag. This records a finishing detail, not a full view of the bag or a claim that the artist wove or dyed the cloth. Current availability and dimensions require separate confirmation.
Classes & activities · 2020 · Two skeins lie side by side on a blue grid mat: one with pink, violet and blue on a light ground, the other shifting through yellow, green and brown. The caption identifies a yarn-dyeing class on November 13. Individual makers, each skein’s fibre composition, dyes and recipes are unspecified. This is a historical class record, not a current schedule or stock listing.
Process · 2020 · Brown and pale yellow botanical impressions appear on light scarves, shown in an arrangement and close-up details across four photographs. The caption identifies wool scarves, eco printing, botanical work and a dyeing class. Individual makers, plants, mordants and processing conditions are not specified, so this is presented as an observation of dyeing results, not a current product or class announcement.
Process · 2020 · Folded fabrics in wooden boxes, arranged packages, offcuts and cutting tools document studio preparation. The caption mentions preparing 100-colour, 130-colour and 1/16-size 100-colour packages for dispatch. These are historical caption descriptions, not independently verified counts or dimensions. Dispatch completion, current stock and current product specifications are not established. Background works are not counted separately.
Artworks · 2020 · Small floral, animal and checked fabric pieces are separated by pale leaf-patterned strips. Two photographs show the curtain installed at a window and a backlit detail. The caption records its completion as a gift for the artist’s daughter. It does not establish that the artist designed the prints or dyed the fabrics. Dimensions and current commission availability are unconfirmed.
Artworks · 2020 · A wool patchwork bag fitted with purple handles and a long strap. Photographs show both sides, a red leather base and inner pocket, and floral lining. The caption describes making another bag from remaining fabric and marks it sold. Fabric names are the caption’s material descriptions, not claims that the artist wove the cloth or designed its print. Current availability and dimensions require separate confirmation.
Process · 2020 · Checked, herringbone and plain wool patches are shown with pink-toned handles. The caption describes reworking a panel reserved for a large bag to fit a requested size. These are preparation photographs, not a finished bag. The caption identifies the fabric as Harris Tweed; it does not establish that the artist wove or dyed it.
Process · 2020 · Three photographs show a beige blouse, fabric in a dye vessel and the blouse in reddish brown. The caption describes a request to re-dye a Lithuanian linen blouse made through a group purchase. The artist’s documented role is re-dyeing, not garment design or sewing. Dye, temperature and duration are unspecified, and the result is not guaranteed for other garments.
Artworks · 2020 · Checked and solid wool patches are paired with pink handles and a long strap. Five photographs show front, back, side, floral lining and the closure. The caption calls this the fourth bag in the same design with a different colour arrangement and identifies the lining as Kaffe Fassett fabric. This historical record is not a verified sales total or a claim that the artist wove or printed the fabrics. Past specifications and fittings are separate from current order terms.
Process · 2020 · Hot-pink wool is placed among checked and herringbone pieces for a bag. Three photographs show the dyed fabric, a cutting-mat layout and joined patchwork. The caption says wool dyed the previous night is used as an accent. This is not a finished bag, nor a claim that every other patch was dyed or woven by the artist.
Artworks · 2020 · Checked, herringbone and solid wool patches form a bag with purple handles and a long strap. Five photographs show different sides and both carrying options. The caption calls it the fifth commissioned Harris Tweed wool bag; this is a historical description, not an independently verified sales total. Fabric weaving or dyeing is not attributed to the artist, and historical specifications and fittings are not current order terms.
Process · 2020 · Pink, violet, green and brown fabrics and small samples are spread across a worktable. The caption describes the difficulty of matching a colour for ordered fabric and working on the final dyeing stage, not confirmation of a successful match. Fibre, dyes and order quantity are unspecified. The background patchwork is not assumed to belong to the same order.
Artworks · 2020 · A large wool bag combines checked, herringbone and solid patches with black handles. Seven photographs show its front, back, side, pieced fabric and re-dyed swatches. The caption says disliked fabric was re-dyed for accents; it does not claim every fabric was dyed or woven by the artist. The historical 41 × 41 cm description is not a current order specification or stock notice.
Classes & activities · 2020 · Dyed yarn and checked fabrics hang on a drying rack, while silk ribbons and variegated cloth are laid out. The caption identifies them as results from an April dyeing class. Eight photographs show drying, skeins and colour variations across ribbon widths. Individual makers, attendance and dyes are unconfirmed. The historical venue and invitation are not current class information.
Process · 2020 · Four photographs record pale yellow ribbons alongside peach, pink and violet variations. The caption describes giving silk ribbons a personal colour through three rounds of work. It does not specify the dyeing sequence or dye mixture. Historical sales tags do not establish current stock or guarantee an identical colour match.
Classes & activities · 2020 · A class record showing variegated skeins, silk ribbons and a rolled ribbon rose sample. Seven photographs also show ribbon cards, solid and multicoloured fabrics, and checked and herringbone swatches. The caption describes bold colour variation for embroidery. Individual makers and exact fibre and dye specifications are unconfirmed; the historical class invitation is not a current schedule.
Process · 2020 · Narrow floral, figure and geometric fabric scraps are joined with straight seams into blocks. Two photographs show loose scraps, pieced blocks and work at a sewing machine. The caption describes using leftovers from curtain making between dyeing tasks. This is not a finished quilt or a claim that the artist dyed or designed the printed fabrics.
Process · 2020 · Pink and variegated skeins are arranged to compare thickness, twist and fuzzy texture. Six photographs show the group and close-ups of individual yarns. The caption describes testing yarn quality and colour for classes and sales. Its 100% wool description is not an independent fibre test. Historical repeat-class dates and studio-use terms are separate from current offerings.
Process · 2020 · Printed fabric portraits and flowers are placed on a base cloth and edged with beads. Two photographs show different portrait prints, turquoise and translucent beads, and thread in progress. The caption describes beadwork on hemp linen without identifying the final object. The printed portraits are not presented as paintings by the artist, and this is not labelled a finished bag or accessory.
Process · 2020 · Hand-dyed fabrics are folded by colour family and prepared in packaged sets. Seven images show wrapped bundles and stacks of pink, blue, green and yellow fabrics. The caption describes preparing a 100-colour set and class materials. The colour count is the historical kit description, not a count measured from the photographs. Past fabric dimensions and extra pieces are not current sales terms.
Artworks · 2020 · Purple and pink flowers with dark green leaves are appliquéd onto a blue bag. Four photographs show the front, stitching details and a plain quilted back. The caption introduces a finished bag and kit, noting colour variation from hand dyeing. Original authorship of the base pattern is not established; historical ordering options and dimensions are not current sales terms.
Process · 2020 · Folded fabrics in red, orange, violet, blue and green are shown spread out and stacked in close-up. The caption mentions preparing for a regional shop delivery and wonders which project kits will use them. This is material preparation, not a finished artwork. Delivery completion, the customer, exact fibre composition, dye type and colour count are unconfirmed.
Classes & activities · 2020 · Coloured skeins are arranged with checked and herringbone fabrics and ribbons. The caption identifies this as a review of the wool class held on 11 May 2020. Three photographs show the full arrangement and close-ups of variegated and pastel yarn textures. Individual makers and attendance numbers are unconfirmed. The accompanying class invitation is historical, not a current schedule or stock notice.
Process · 2020 · Pale green, beige and peach dyed skeins are shown beside white yarn to compare colour and fuzzy texture. The caption records dye tests on three yarn samples. Six photographs show whole skeins, comparisons with white yarn and loose strands in close-up. Exact fibre composition and dye type are unconfirmed; no specific fibre or natural dye is claimed. Historical sales tags do not indicate current stock.
Artworks · 2020 · A pouch combining pale herringbone fabric, red stripes and lace. Photographs show lace details, a printed lining and the attached strap. The caption describes a simple finish that buyers could embellish with embroidery. French hemp linen and antique lace are historical material descriptions, not independently authenticated facts. Weaving or dyeing the fabric is not attributed to the artist; past dimensions and optional accessories are not current sales terms.
Process · 2020 · Pink, orange, brown, violet, blue and green skeins arranged by colour and texture. The caption describes dyeing wool yarn that afternoon, drying it in sunshine and sorting it before the next day’s booth setup. A tag refers to a Yoon Quilt exhibition sales booth, but the precise event name and venue are unconfirmed here. Fibre percentages, colour counts, weights and sales results are not inferred.
Process · 2020 · A doll sample stands beside labelled fabric pieces, instructions and miniature baskets and tools. The caption describes a kit with instructions compiled by Hawa, miniatures and hand-dyed fabric for making two dolls. Other photographs show dolls in several clothing colours. This does not establish original authorship of the base pattern or hand-making of every accessory. Planned dispatch and random miniature selection are historical terms, not proof of delivery or current product conditions.
Classes & activities · 2020 · A booth displaying figure and star quilts, hand-dyed fabrics, garments and kits. The caption records arriving and setting up the day before the K-Handmade Fair at BEXCO in Busan. Four garment types, 20 garments and 100 fabric colours are the caption’s preparation figures. They do not establish sales results or authorship of every displayed pattern. Historical discounts are not current offers.
Artworks · 2020 · A grey and navy layered wrap skirt, pleated hems and a display paired with a lace blouse. The caption introduces a Lithuanian-linen blouse, wrap skirt and under-trousers ensemble. Material origin follows the caption and does not imply fabric dyed by the artist. The event name and individual garment measurements are unconfirmed. Historical stock and custom-order terms are not current availability.
Classes & activities · 2020 · A 2020 post inviting entries of quilts, embroidery, curtains, bedding and other textile work. Its photographs show an event stage marked 2019 and an awards scene, not evidence of the 2020 competition taking place. This notice does not establish the artist as an organiser, judge or award recipient. Historical entry terms and contact details are not current application guidance.
Process · 2020 · Floral and butterfly lace is pinned onto coarse woven fabric while ribbons and a zipper decoration are arranged. The caption offers pouches and kits described as using French hemp linen and antique lace. These photographs show material placement rather than a complete finished pouch. Material origin and age are the caption’s descriptions, not independently authenticated facts. Historical dimensions, surcharges and ordering terms are not current sales information.
Process · 2020 · Preparatory samples show green, blue and violet tie-dyed shirts and scarves with brown leaf impressions. The caption describes basic tie-dye and eco-printing samples for a career exploration class planned for 23 middle-school students. These are teaching preparations, not student outcomes. The number is planned participation, not verified attendance. Fibre content and dye recipes are unconfirmed.
Artworks · 2020 · Two pale linen blouses with lace at the centre front and sleeve edges. The caption records completing two orders in Korean sizes 55 and 77 and adjusting the neckline pattern. Lithuanian linen is the caption’s material description, not a claim of dyeing the fabric or originating the base pattern. The accompanying display photograph does not establish an event name or date. This is a historical order record, not current stock or sizing availability.
Classes & activities · 2020 · An award record showing a certificate and catalogue. The certificate names Jeong In Suk, a craft distinction at the 41st Korea Creative Art Contest, and the date 24 July 2020. The second photograph shows a catalogue page featuring boats. The work’s title and dimensions are unconfirmed; the catalogue image is not presented as a direct photograph of the artwork.
Classes & activities · 2020 · A visit to the opening of the Daejeon Bernina centre. The caption records attending and offering congratulations. Six photographs show signage, sewing machines, quilting equipment and displays. This is a visit to another venue; its works and equipment are not presented as Jeong In Suk’s creations or possessions.
Process · 2020 · Coloured hexagons and white triangles are pieced into a quilt top. Four photographs show a joined top, a hexagon ruler, cut pieces and an arrangement on the work wall. The caption describes using pieces left after making a queen-size top. A finished quilt with batting, backing and completed quilting is not established.
Artworks · 2020 · Curtains pieced from floral and geometric scraps separated by pale strips. Three photographs show different arrangements and seam allowances revealed by sunlight. The caption describes completing the curtains while making good use of fabric scraps. Individual dimensions and the number made are unconfirmed; not all fabrics are claimed to be dyed by the artist.
Process · 2020 · Small cuts of hand-dyed fabric stacked in many colours. Five photographs show layered edges, an opened purple piece and several bundles. The caption describes sets of 160, 111 and 52 colours and marks them as sold out. These counts are not assigned to individual photographs and do not describe current stock.
Process · 2020 · Small floral and geometric fabric scraps are spread out for sorting. Four photographs show flattened pieces, crumpled fabrics and scissors on the worktable. The caption describes washing and pressing gifted feedsack fabrics while considering what to make. These are materials, not a finished work; their production dates and dyeing by the artist are not established.
Process · 2020 · Checked and plain tweed pieces are arranged on a cutting mat to compose one side of a bag. Four photographs show the layout, joined sections and remaining fabrics. The caption describes starting patchwork for a commissioned bag and taking time over colours and placement. This is not a finished bag or a claim that the artist wove the fabric.
Artworks · 2020 · A finished patchwork bag using vivid colours requested by the customer. The caption describes photographs taken before dispatch and lists a height of 38 cm and a 20 × 23 cm base. Four images show different sides and a close-up of the Harris Tweed label and lining. This does not imply that the artist wove or dyed the fabric, or that the bag is currently in stock.
Process · 2020 · Three photographs show orange, purple and pink yarn textures, arranged skeins and coloured yarn ends gathered in a hand. The caption describes dyeing four kinds of wool yarn for an embroidery beginner, from basic colours to variegated shades. More colours remained to be dyed; this is not a record of the entire order being finished or delivered.
Classes & activities · 2020 · A post showing white skeins, a wooden winding frame and dyed yarn in several colours. The caption announces a wool-yarn dyeing class planned for 15 November 2020. The two photographs illustrate materials and colours; they do not establish that the announced class took place. This historical notice is separate from current schedules and inclusions.
Process · 2020 · Dyed yarn is wound on a wooden frame and arranged into skeins. Four photographs show red, yellow, pink and turquoise colour combinations and yarn on the frame. The caption describes finishing work after dyeing alongside class-material and order preparation. This is a historical work record, not a current class schedule or order-volume statement.
Process · 2020 · Folded fabric stacks and colour arrangements across the worktable. Nine photographs also show close-ups of tonal ranges and fabrics sorted into wooden boxes. The caption introduces 150 hand-dyed fabric colours for quilting. This number comes from the historical post, not a current stock count or a count verified in each photograph.
Classes & activities · 2020 · A class record featuring nuno felt with coloured lines and dimensional flower forms on sheer fabric, alongside rust-dyed fabrics with brown impressions. Eight photographs show whole pieces, details and a worktable with wool and yarn. The caption introduces learning textile techniques. Individual results are not attributed solely to the artist, and this is not a current enrolment notice.
Process · 2020 · Red, pink, yellow, green, blue, purple, brown and grey fabrics are arranged in rows. The caption records assembling and dispatching fifty hand-dyed fabric colours. Two photographs show the colour arrangement and folded fabrics. This is a historical order record, not confirmation of current stock or delivery to the recipient.
Process · 2020 · Brown circles, rings, squares, pin-like shapes and grid impressions appear on pale fabric. Two photographs show the wider arrangement and a long grid section. The caption identifies the results as rust dyeing and reflects on a practice pursued intensely for a time. The actual making date and fabric composition are not specified.
Process · 2020 · Skeins combining pink, purple and turquoise appear alongside brown and green yarns. Seven photographs show colour changes in twisted skeins and yarn hanging in long lengths. The caption introduces hand-dyed wool yarn, without specifying the fibre composition of each photograph or current sales terms.
Process · 2020 · Fabric samples with bamboo, circles, curves and ornamental motifs. The caption introduces patterns made on different fabrics using burnout techniques. Ten photographs show the arrangement and close-ups of structure and texture. Velvet scarves are suggested as an application; no finished scarf is shown.
Process · 2020 · Pressed and cut fabrics organised by colour. The caption records packing four sets, including 50- and 120-colour arrangements, with dispatch postponed until the following day. Four photographs show grouped shades and the overall arrangement. This documents packing preparation, not completed delivery or current stock.
Process · 2020 · Yarn taking on purple, pink and blue tones in a container. The caption describes dyeing wool yarn intended for overseas dispatch and wondering how the colours will turn out. Both photographs show work in progress; final colours, destination and completed delivery are unconfirmed.
Process · 2020 · Pink, purple, blue and other fabric groups arranged by shade. The caption introduces hand-dyed and border fabrics for Amish Circle quilts. Five photographs show the overall groups and colour close-ups. Individual fabric dimensions and fibre composition are unconfirmed. This is not a current group-buy or stock notice.
Classes & activities · 2020 · A quilt with bonnet-wearing figures inside pink borders. The caption presents Sunbonnet Darling and Bethlehem kits, describing components such as patterns and hand-dyed fabrics. This historical product presentation does not establish the makers or pattern designers of every pictured quilt. It is not a current sale or stock notice.
Process · 2020 · Flowing pink, green and blue patterns formed in a tray. The caption records studying ebru silk-scarf marbling. Three photographs show different patterns and a tool working on the surface. Transfer onto fabric and a finished scarf are not shown in this post.
Process · 2020 · An appliqué block with a purple dress, pink apron and dimensional black bonnet. The caption describes making a kit sample in response to a request for detailed photographs. Three images show the block and its sleeve and apron stitching. This is sample-making, not a finished quilt or a current sale notice.
Process · 2020 · Solid and multicoloured dyed yarn wound into cakes. The caption records plans to send the previous day’s dyed wool yarn the following day. Close-ups in the same post show number labels, which are not current product codes. Completed dispatch and weights are unconfirmed.
Process · 2020 · Solid and multicoloured skeins arranged side by side into colour combinations. The caption records assembling sets after sending earlier orders; five photographs show different arrangements. Set sizes and fibre types cannot be assigned to individual photos. This is not a current stock notice.
Classes & activities · 2020 · A red-and-gold fabric Christmas ball with a star motif, alongside decorated pinecone trees. The caption records Christmas preparations at a monthly Q.M gathering. Makers and pattern designers of the individual objects are unconfirmed; these are not presented as solo artworks by the artist.
Process · 2020 · Folded fabrics arranged in rows of purple, blue, yellow, green and red tones. The caption reports dispatching an order of 120 hand-dyed fabric colours selected from frequently used shades. This is the historical post’s account, not confirmation of delivery or current stock.
Process · 2020 · Long skeins showing varied colours. The caption describes working beyond personal colour preferences to explore techniques and colours for dyeing classes. This records class preparation; specific dyes and fibre composition for each skein are unconfirmed.
Classes & activities · 2020 · Brooches being made with miniature knitting needles, buttons and flower decorations. The caption describes preparing return gifts during a challenge-quilt exchange with quilters from four countries. Individual makers of the background blocks and completed dispatch are unconfirmed.
Process · 2020 · White yarn cones beside wound skeins. The caption records winding yarn into skeins for dyeing. Fibre types, composition and weights cannot be assigned to individual yarns in the photograph and are not presented as product specifications.
Process · 2020 · Multicoloured skeins arranged in two tiers. The caption introduces a 25-colour yarn set being prepared for a December release. This historical preparation record does not describe current stock or sales terms. Cashmere and merino yarns cannot be individually identified in the photo.
Process · 2020 · Purple, red and orange dyed yarn wound into small skeins. The caption records staying up to wind yarn. Posted early on 20 December in Korea; the archive date follows the original UTC timestamp. Dye recipes and weight per colour are unconfirmed.
Process · 2020 · Brown scorched areas on turquoise yarn. The caption describes burning yarn while drying it near a heater during a year-end rush, and warns about fire. This records a workshop mishap, not an intentional dye pattern on a finished product.
Process · 2020 · Solid and multicoloured skeins arranged in two rows. The caption presents 63 hand-dyed wool-yarn colours and mentions further work on yellow. The number comes from this historical post, not a current colour range or stock count.
Process · 2020 · A dye-marked hand in front of coloured skeins. The caption records a day of yarn dyeing and plans to wind and dispatch it the following day. This softly focused image documents work rather than presenting a product, and does not confirm dispatch.
Classes & activities · 2020 · Fabric dolls displayed with a figurative appliqué quilt. The caption announces a sale covering 14 Hawa Art Quilt products. Ten photographs also show quilts, a hexagon ruler, crochet-themed accessories and dyed fabrics. This is a historical product presentation, not a current sale or stock notice. Individual pattern designers and makers are not established.
Classes & activities · 2020 · Dyed wool yarn laid out after a class. The caption records 23 December as the last class of 2020 and thanks the students who attended during the year. The post also shows solid-colour yarn and silk ribbons. This is a class activity record, not a finished solo artwork.
Process · 2020 · Folded fabrics in soft colours with skeins of dyed yarn. The caption describes preparing fabrics, wool yarn and silk ribbons for embroidery, with dispatch planned for the next day. This does not confirm delivery or current stock. Individual fabric types and ribbon specifications are unconfirmed.
Artworks · 2020 · A grey fabric bear with a scarf and buttons. The caption says it was made using a newly supplied kit. This documents making from a kit, not an original pattern; the two photographs show the same item in a setting and close-up. The kit designer, dimensions and current availability are unconfirmed.
Classes & activities · 2021 · An announcement of planned participation in QFIK at COEX Hall B on October 7–9, 2021. Images show the event notice, solid and patterned dyed fabrics, hand-dyed yarn, and Amish Circle and Baltimore quilts. The caption’s reference to over 200 fabrics, kits and supplies describes historical preparations, not current stock. The outdoor quilt photographs are not fair-site photographs, and this announcement alone does not prove attendance. External patterns and retail character fabrics are not presented as the artist’s original designs.
Classes & activities · 2021 · A record of photographing quilts at Baegun Lake before the rain. Three outdoor photographs show a twelve-block quilt of everyday scenes, a Baltimore-style top with flowers and birds, and an Amish Circle sampler. These are not counted as three new artworks or described as an outdoor exhibition. Design and maker attribution depend on the separate sources for each work; the photographs alone do not establish completion of all quilting or border finishing.
Process · 2021 · Fabric preparation documented in Hawa Art’s 2021 Baltimore Spring project announcement. The original design is credited to Pearl P. Pereira in the caption and on the pattern cover. The photographs show fabrics selected alongside the pattern and grouped with numbered labels. This is not counted as an original design by Jeong In-suk or a new finished artwork. Historical centre-block, surrounding-block and full-top package options are not current stock or enrolment notices; no pattern files are provided.
Process · 2021 · A process study showing a felt sheet layered with red, pink, orange and yellow fibres, followed by dimensional flower forms in the same colour range. Two photographs reveal the flat fibre texture and the curved flower shapes. The caption mentions returning to felt work while needing to finish an exhibition piece. No specific exhibition entry or finished title is established, so this is presented as practice rather than proof that these elements were used in another flower artwork.
Process · 2021 · Wool dyed the previous day was being wound into 30-metre skeins and small cones. Some yarn was still drying, so winding was unfinished; the 20-colour assortment in the caption was a plan. Three photographs show skeins beside a ribbon-flower hoop, arranged skeins and yarn balls, and a worktable with cut ties, scissors and thread. The source distinguishes merino wool from lambswool in yellow and orange tones and describes two strands dyed together. It does not guarantee zero colour bleeding or establish current specifications or stock.
Process · 2021 · A wool-yarn speckle-dye experiment during a break from artwork. Purple speckles were added to sky-blue and green tones; the caption says the colour spread readily, so it was applied cautiously. Four photographs show an opened skein, two close-ups and a wound yarn ball. The source describes the material as 100% superwash merino wool; the photographs do not independently verify fibre content or washing performance. This is not evidence of a class or current sales stock.
Process · 2021 · Newly dyed wool yarn arranged in skein and cone packages ahead of QFIK 2021. Five photographs show HAWA ART YARN-labelled packages, colour sorting on the worktable, an opened multicoloured skein and wound yarn. The caption describes two strands dyed together, 29 skein varieties of over 30 metres, and cones of over 60 metres. These are historical package descriptions, not measurements from the images or current stock. A class hashtag does not establish that a class took place, and the reported Busan sell-out is not evidence of current revenue.
Classes & activities · 2021 · A record of preparing two displays at COEX Hall B on the day before QFIK 2021 opened. The caption mentions Hawa Art Quilt booth B423 and the Zhang Jian Cup award-winning works exhibition. The photograph shows installation work beside quilts depicting water, trees and abstract textures. The person is not identified, and the displayed works are not all attributed to Jeong In-suk or presented as her award-winning works. The announced 10 a.m. opening the following day is a historical schedule.
Classes & activities · 2021 · A record of the QFIK 2021 booth at COEX Hall B, B423. The caption announces the final day, October 9 in Korean time. Images show the booth with quilts, fabrics and yarn, colour assortments, and ribbon embroidery arranged with thread. The accompanying outdoor views of the Amish Circle and Baltimore quilts were not taken at the fair venue. The designs are not all attributed to the artist as original designs, and historical event offers and tickets are not current benefits.
Process · 2021 · Flowers from an exhibition gift basket and discarded wreaths were used in a botanical-dye experiment on a silk scarf, described in the caption as 55 × 55 cm. Eight photographs show petal placement, wet fabric, the opened and folded scarf, and a before-and-after comparison. Unlike the vivid petals, the dyed result has pale pink, yellow and brown traces. The overheating failure mentioned in the caption concerns a separate experiment days earlier. This is a process record, not a class announcement or a current product listing.
Classes & activities · 2021 · A tailored class using direct dyes for immersion dyeing, tie-dye and clamped-resist techniques in fashion design development. Ten photographs show three patterned T-shirts, two bags photographed together and six views of fabric samples with grids, triangles and mottled patterns. The caption reports seven hours on that day, not a fixed duration for every class. These are student practice results, not solo artworks or current products for sale. A second class was planned, and this is not presented as a natural-dye class.
Classes & activities · 2021 · A class exploring solid colours, patterned and combined dyeing, and tie-dye for art-quilt fabric. Nine photographs show turquoise-orange geometry, green, purple and grey fabrics, a circular-patterned bag, pink combined-dye fabric and a blue-striped scarf. These are student practice results, not solo finished artworks by the artist. The caption encourages repeated practice; it does not establish a guarantee of perfect results. The historical November 25 invitation is not a current schedule, and the fabrics are not all identified as naturally dyed.
Classes & activities · 2021 · Rust-dyeing results from a student who joined a class after trying independently. Ten photographs show ochre impressions shaped like rings, square plates and safety pins, grid and linear patterns, arranged scarves and a cropped wearing example. These are student class results, not ten solo artworks by the artist. Fibre composition, chemical recipes, colourfastness and wearing safety are not established by these photographs and caption.
Classes & activities · 2021 · Preparing packaged and labelled wool yarn for the K-Handmade Fair. The caption announces booth C04 in COEX Hall B and plans to ship some kits after preorders. The representative photograph shows colourful packaged yarn. Quilts and scarves shown alongside it are not registered again as new works, and retail scissors are not attributed to the artist as handmade pieces. This announcement alone does not prove completed booth operation. Historical discounts, tickets and shipping arrangements are not current offers.
Classes & activities · 2021 · A second wool-yarn and silk-ribbon class, dyeing mohair for hats and scarves. Eight original photographs show turquoise, yellow and pink dyeing in trays, yarn on a drying rack and pink, purple and brown ribbons. The caption looks forward to a finished hat after drying; no completed hat or scarf is shown. These lesson outcomes are not counted as solo artworks, and historical attendance conditions and studio fees are not current offers.
Classes & activities · 2021 · A photograph from the S.M.art quilt Exhibition at Kyung-In Museum of Fine Art. A wall-mounted quilt combines a figure, dimensional red flowers and floral embroidery. The caption thanks someone for a congratulatory flower basket delivered to the exhibition. The basket is a gift, not a textile artwork by the artist. No formal artwork title or dimensions are inferred from the small label.
Process · 2021 · A record of small rust-dyed scarves ordered after someone saw the class results. Five original photographs show folded scarves and ochre-brown ring, square-plate and safety-pin shapes. The caption advertised silk at 50×50cm, Tencel at 70×70cm and longer sizes at the time; individual photographs are not assigned a fibre. This does not establish current stock, sizes, prices, payment or delivery completion.
Classes & activities · 2021 · An announcement for the sixth Creative Quilt group exhibition at Gallery 3 of Kyung-In Museum of Fine Art, scheduled for 10–16 November 2021. The caption describes preparations by ten artists, a 3 pm gallery talk and the artist’s duty on the 12th. The works pictured in the announcement are not all attributed to Jeong In-suk. The source caption credits photography to 구성수 (Koo Sung-soo). This is a historical notice, not a current schedule.
Classes & activities · 2021 · A dyeing lesson with an embroidery teacher preparing yarn for kits. The caption specifies superwash extrafine merino wool, 400m per 100g, given a pale base colour followed by subtle speckles. Three original photographs show green, pink, purple and cream hanks and a close view of the green yarn. These are lesson outcomes, not completed embroidery or solo artworks by the artist. The material details are historical, not current stock or a class schedule.
Process · 2021 · A commission to redye a pale grey wool twinset black. The caption identifies a 100% wool Benetton garment and explains that the soaking photographs show scouring, since separate before-dyeing photographs were not taken. Folded and hanging views after dyeing are paired with two scouring photographs. The garments themselves are not the artist’s creations. This case does not guarantee stain removal, restoration or current service availability.
Classes & activities · 2021 · A basic dyeing lesson with a teacher preparing a project for students. The caption lists patterned and solid dyeing, Hawaiian circles, tie-dye, face colours for pictorial quilts and gradations. Five photographs show green tie-dyed bags, colour combinations and pale pink tonal fabrics. This records a lesson for the teacher, not a completed group lesson for students or a municipal commission. The learning outcomes are not classified as the artist’s solo artworks.
Process · 2021 · A large tote combining squares of rust-dyed fabric with brown faux leather. The caption says it was made long before this post and used to carry artworks. Two outdoor views show its details and use among fallen leaves. The year 2021 dates the post, not its unconfirmed manufacture. The coat and sculpture in the photographs are not attributed to the artist.
Classes & activities · 2021 · Reused boxes and mailing bags stacked in the studio. The caption records packing returned competition entries and completing the QFiK 2021 award-winning works exhibition. Forty boxes on Wednesday and a further dispatch on Thursday were plans at the time, not completed deliveries or product orders. Trophies and catalogues were to be sent separately after arrival.
Classes & activities · 2021 · A poster for the ninth SM ART QUILT EXHIBITION 2021. The caption and poster announce the exhibition at Gallery 2 of Kyung-In Museum of Fine Art on 20–26 October 2021, while the caption describes the artist’s preparations to participate. No individual artwork title or finished piece appears in this post, so it is not linked to completion of a particular work. This is a historical notice, not a current exhibition schedule.
Classes & activities · 2021 · An announcement for K-Handmade Fair at COEX Hall B, Seoul, on 9–12 December 2021. The 23 November caption announces plans for booth C04 with dyed-fabric kits, wool yarn and silk ribbons. This is a historical participation notice, not a current event, ticket or discount offer. The announcement’s graphic design is not attributed to the artist.
Process · 2021 · White thread being wound at the worktable and closed packing boxes. The caption describes dyeing and winding ordered thread alongside packing certificates and trophies received from China for award recipients. This does not establish the artist’s own awards or an order or completed delivery for every box. The white thread is not presented as a finished dyed colour sample.
Classes & activities · 2021 · The wall title for the sixth Creative Quilt exhibition and the installation of a harbour-scene quilt. The post dated 9 November 2021 records preparations at Gallery 3 of Kyung-In Museum of Fine Art for the advertised 10–16 November exhibition. This is pre-opening installation, not evidence of the exhibition’s completion or visitor numbers. People and individual artwork titles or authors are not identified from this post alone.
Process · 2021 · Fabrics are stacked and laid out from dark to pale blue. The caption describes six tonal steps in fabric remaining after a custom dye order. This is a 2021 work record; the quantities and sales terms given then do not establish current stock. Fibre and dye types are unspecified, so this is not identified as natural indigo dyeing.
Process · 2021 · Metal mesh, rusty rings and plates, tongs and containers are arranged on a worktable. The caption describes preparing rusty mesh and written materials for a rust-dye class. This documents preparation, not a completed class or finished fabric. Chemicals and working procedures cannot be established from the photograph alone.
Classes & activities · 2021 · Coloured wool hanks, fabric pieces and the COEX venue entrance document preparations for the fair. The post dated 8 December 2021 reports that the display at K-Handmade Fair booth C04 was ready. The advertised 9–12 December dates are historical, not a current event or sales offer. Existing quilts in the background are not counted as new works.
Process · 2021 · A white cable-knit wool sweater redyed orange, shown after dyeing alongside the original garment and close-ups of stained areas. The caption describes redyeing a commissioned hand-knitted sweater dark orange and identifies acid dye. This records dyeing, not the knitting of the garment, and does not claim natural dyes or complete removal of every stain.
Artworks · 2021 · A quilt showing boats moored side by side beneath a pale sky, with a brown quay. The post dated 17 December 2021 reports an Honorable Mention in the 16th NIHON QUILT competition; the attached notice gives the title 休息 and that award. The subtitle here distinguishes the image. Dimensions and creation year are unconfirmed, and planned exhibition or ceremony dates do not establish attendance.
Classes & activities · 2021 · Hand-dyed wool is packed in small multicoloured hanks. The caption records meeting visitors at booth C04 of the K-Handmade Fair in COEX Hall B on 9 December 2021. Other makers’ products displayed in the booth are not presented as the artist’s own work. Responses reported at the time do not establish current stock or sales figures.
Process · 2021 · Solid-colour fabrics are arranged on a cutting mat while preparing kits. The caption describes Sunbonnet Darlings kits with slight colour changes from an earlier sample. This records material preparation, not a finished quilt, and does not attribute the original printed pattern to the artist.
Classes & activities · 2021 · A marbling class placing colour on a bath and drawing curves with a comb tool. The caption records a December 2021 session exploring a fashion designer’s desired colours and designs. The photograph shows pattern-making in progress, not finished garments or production results.
Process · 2021 · Coloured wool hanks and small bundles are arranged on a cutting mat. The caption introduces a 30-colour kit planned for booth C-04 at the K-Handmade Fair. This is a preparation record from 2021, not a statement of current stock or sales terms.
Artworks · 2021 · A quilt depicting a moored boat, ropes, tyres and rippling water. The original caption titles it “휴식 || Rest ||” and gives its size as 150 × 115 cm, with hand dyeing, machine appliqué and machine quilting. The artist describes a boat resting after a long voyage and dreaming of its next full catch. Posted at the Creative Quilt exhibition opening on 10 November 2021. Current availability requires a separate enquiry.
Process · 2021 · Purple, blue, teal and pale silk strips are arranged on a cutting mat. The caption describes re-dyeing Indian silk in the desired colours for a work intended for a November exhibition. This records material preparation, not a finished artwork or completed exhibition participation.
Process · 2021 · Two scissor cases combine bonnet-figure appliqué, small flowers, beads and burgundy binding. The caption credits a free pattern shared through the Anne Quilt & Embroidery Band group and says the cases were made for use. This is a making record based on a shared pattern, not a claim of original design or permission to redistribute or sell the pattern.
Process · 2021 · Red and purple felt flowers and green stems are explored as elements for a collage. The caption describes resuming a homage project subtitled Flowers and Woman and considering a combination of collage and felt. It records work in progress with advice from felt artist Kim Yu-mi, not a finished artwork. The referenced figure design is not presented as Jeong In-suk’s original creation.
Process · 2021 · Pink, orange and blue printed triangle blocks alternate with white line-patterned fabric inside a blue border. The caption describes cutting 50 additional blocks and completing the top with help. This records completion of the top, not a fully quilted finish or sole authorship. The floral quilt at left is a separate project.
Classes & activities · 2021 · Quilts, fabric kits, wool yarn and bags with embroidered charms are arranged at Hawa Art Quilt booth C32 before the 2021 Busan handmade fair. The caption records setup on the day before opening. Displayed patterns and all items are not attributed to Jeong In-suk as original designs, and this historical record does not establish current stock or sales terms.
Artworks · 2021 · A charm combines hand-dyed wool flowers embroidered on hemp linen with vintage lace and buttons. The caption describes a ring attachment so it can move between bags. It is shown on a rattan bag; this does not establish that the artist wove the bag itself. A 2021 making record, with current availability requiring separate confirmation.
Process · 2021 · Floral fabric charms are finished with twisted cords and beads. The caption credits a kit by teacher Park Yeon-sin and describes making cords with a cording tool and adding bullion stitches. This is a kit-based making record; the original design and fabric print are not attributed to the artist.
Process · 2021 · Green, teal and brown yarn hanks are spread across a drying rack. The caption describes lambswool dyeing and custom dyeing for class kits. This records drying after dyeing, not completed shipment or current stock.
Artworks · 2021 · Stored rice-cake moulds became bases for velvet pincushions, decorated with ribbon flowers, coloured threads and ornamental pins. The caption describes the artist making these sewing accessories. The white crocheted background is not attributed as part of the work. Current availability requires separate confirmation.
Process · 2021 · An appliqué block combines pink, purple and yellow flowers with ladybirds and garden tools. The caption records completion of the eleventh of twelve Baltimore Spring Garden blocks. This documents an individual block, not a finished whole quilt or a claim that the artist created the original pattern. Current kit availability requires separate confirmation.
Process · 2021 · Pink, purple and blue ribbons are wound on wooden spools beside loose green ribbon. The caption records silk-ribbon dyeing and preparations for the July K-Handmade Fair. The accompanying sewing-group appliqué is described as a finished top, not a fully finished quilt. This historical preparation record does not confirm current stock or completed fair participation.
Process · 2021 · Pink, purple, blue, green and yellow fabrics cover a cutting mat. Colour spread and tonal variation differ across the folded surfaces. The caption introduces a pattern-dyed fabric kit and preparations for the July Busan fair. This is a historical material-arrangement record, not verification of colour counts, fibres, dyes, current stock or completed exhibition participation.
Process · 2021 · Folded navy and grey fabrics sit beside a ruler and rotary cutter on a cutting mat. The caption describes preparing kits ahead of the Busan K-Handmade Fair. This records pre-event cutting, not completed participation or sales. Fibre, dye, quantities and current stock are not documented.
Classes & activities · 2021 · Purple invitations are arranged in a fan. They list 16–18 July 2021 at BEXCO Exhibition Center 1, Hall 2. The 9 June caption announces Hawa Art Quilt’s planned participation and invitation distribution. This is an advance notice, not proof of completed participation or sales, and it is not a current event or free-ticket offer.
Process · 2021 · Blue and red birds flank a pink birdhouse beneath flowering branches. Numbers on fabric pieces and guide lines remain visible. The caption records two blocks left out of twelve for Baltimore Spring Garden and says the photograph was taken before pressing. This documents hand sewing from an original design by Pearl P. Pereira, not a finished whole quilt.
Process · 2021 · Appliqué blocks depicting a skate, puzzle piece, sweets and a campfire overlap geometric patchwork blocks. The caption records twenty blocks remaining out of 121 for Amish Circle. This shows individual blocks in progress, not a fully assembled and quilted piece. It does not credit the artist with the original pattern design, and the historical kit-sale tag is not a current stock notice.
Process · 2021 · Curved pieces of multicoloured paper are matched with blue fabric beside a sewing machine. The caption records the paper tearing on the feed dogs while sewing the materials together and a search for another method. This is a material-combination experiment, not a finished artwork or a validated technique. The maker of the paper pattern and specific dyes are not documented.
Process · 2021 · A yellow sunflower sits among spades, purple flowering vines and bees. The same post also shows a wreath block with watering cans and flowers. The caption records eight of twelve Baltimore Spring Garden blocks completed. This documents sewing from an original design by Pearl P. Pereira, not a finished whole quilt or confirmed participation in the announced Busan fair.
Process · 2021 · Folded fabrics progress from pale pink to deep burgundy and from lilac to purple. The caption records two days of dyeing and fabrics drying well in fine weather. This 2021 studio record also announced dispatch of the first Amish Circle kit batch. It does not establish current stock, a quality guarantee or customer receipt.
Process · 2021 · Rows of yellow, green, blue, purple and pink fabrics stretch across a cutting mat. Mottling, lines and tonal differences vary within each colour family. The caption records folding fabrics for a 100-colour pattern-dyed kit. This is preparation work from 2021, not an exact count of the pieces shown or a statement of current sizes or stock.
Process · 2021 · Pink, yellow and purple fabrics sit in a box, while green and teal pieces are sorted on a cutting mat. The caption records preparations for a 100-colour kit and an Amish Circle pattern kit. This documents material sorting in the studio in 2021, not an exact count of the fabrics shown or current inventory.
Process · 2021 · Three rows of fabric move through pink, orange and blue to greens, yellows, greys and browns. The caption describes coordinating colours for 121 Amish Circle blocks and preparing sashing, border and background fabrics. This is a 2021 materials record, not an attribution of the original pattern or entire quilt, nor a statement of current stock.
Process · 2021 · A rabbit and bee flank a pot of yellow, red and purple tulips. The caption records three days of hand sewing for the Baltimore Spring project. The original design is by Pearl P. Pereira; this record presents the artist’s sewing progress, not an original pattern or a completed and quilted whole quilt.
Classes & activities · 2021 · Several shades of green yarn sit beside pink, orange and purple skeins. The original photographs also show pale dyed ribbons and checked and herringbone fabrics. The class report dated 30 January 2021 describes preparing dye solutions and practising colour mixing. These are class results, not works attributed solely to the artist.
Classes & activities · 2021 · White ribbons, yarn, colour wheels and dyeing class materials are laid out on a cutting mat. The historical caption announces a class planned for 30 January and February enrolment, naming wool yarn, silk ribbons and wool fabric as materials. This records preparation and an announcement, not confirmation that the class took place or a current schedule or offer.
Process · 2021 · Olive and green fabric swatches are arranged with numbers and colour labels. The historical caption records the first dispatch of Baltimore Spring kits and the selection of hand-dyed fabric colours. This photograph documents material preparation, not a finished quilt. The earlier project introduction credits the original design to Pearl P. Pereira.
Process · 2021 · Blue, grey, white and deep red fabrics sit beside a miniature basket, broom and watering can. Doll pattern booklets credit Jeong In-suk as compiler. The historical caption records preparing three kits and offering partly made doll bodies. This documents material preparation, not completed dolls or a current sales offer.
Process · 2021 · Pale pink, lilac and blue-green ribbons are wound on wooden spools. Their fine translucent weave and frayed edges are visible. The historical caption calls them silk chiffon ribbons and suggests embroidery, folded flowers, bouquet and invitation decoration. This is a material record, not a finished artwork or a current product specification.
Process · 2021 · A hexagonal flower block moves from a pale centre through pink to deep red. The original photographs also show a blue block and cut fabric in several colours. The caption describes cutting hand-dyed fabric with a template and machine-piecing two blocks. This is an early stage before deciding the overall size or number of blocks, not a finished quilt or hand-quilting.
Artworks · 2021 · Wool patchwork bags combine checks, herringbone and vivid solid-colour pieces. The original photographs show several views of bags with pink and black handles. The caption records an order for two bags, with handles attached and packing completed. This is a historical commission, not a statement of current stock, sales terms or completed delivery.
Process · 2021 · Older patchwork blocks rediscovered while sorting fabric are spread across the worktable. Pinwheels, green checks and triangular pieces are being arranged and joined again. The caption identifies hand-dyed fabric. This is work in progress, not a finished quilt or a class; the blocks’ original making dates are unknown.
Process · 2021 · Balls of purple, pink and blue variegated yarn rest on a cutting mat. The caption describes hand-dyeing merino and lambswool yarn that a customer then knitted into a sweater. Only the yarn photograph is shown here, distinguishing the artist’s dyeing from the customer’s knitting. Fibre descriptions come from the historical caption, not a current product specification or stock list.
Process · 2021 · On New Year’s Day, older hexagon blocks become quilts and receive edge binding. The original photographs show yellow and pale-blue borders. The caption mentions hand-dyed fabric and an outside quilting service in Dongdaemun. These photographs document binding, not a claim that the artist personally did all the quilting.
Process · 2022 · A class with cross-stitch teachers dyeing cross-stitch fabric, imported linen, cotton yarn and DMC embroidery thread. Ten photographs show fabric and thread palettes, yarn details, drying cloth and separate dye containers. The caption specifies direct and reactive dyes, not natural dyes. Busan and Pyeongtaek are participants’ places of departure, not the class venue. Student results are not counted as solo artworks by the artist, and this does not imply an official DMC collaboration. Recipes or home-use safety instructions are not inferred from photographs.
Process · 2022 · A second tailored dyeing class preparing fabric for a floral pictorial quilt and sea imagery. Seven photographs show solid and patterned fabrics in greens, pinks and purples, turquoise, grey, blue-violet and brown. The caption reports more than 20 ma of fabric worked in one day; this is a source statement, not a photographic measurement. These are student fabric preparations, not finished quilts or solo artworks by Jeong In-suk. Individual dye types and current class schedules or session counts are not established here.
Process · 2022 · A tailored dyeing class preparing fabric for the next work of a student who works with animal themes. Six photographs document yellow-brown and purple patterns, green and orange solid colours, purple tonal variations and scarf-shaped cloth. These are student fabric studies, not finished animal artworks. The Japanese class experience mentioned in the caption belongs to the student. Dye types for individual fabrics and current class dates are not established by this record.
Process · 2022 · A later stage of the quilt documented in 2019 as a scrap-square top completed after five years. The same printed patch arrangement now has a green border, curved machine quilting and edge finishing. The caption specifies 1,292 two-inch squares and 212 × 185 cm; these are source statements, not measurements from photographs. Pins remain at the edge, so completion or sale is not asserted. The historical sale invitation does not establish current availability.
Process · 2022 · Cotton sewing thread dyed for denim topstitching in collaboration with a fashion designer. Six photographs show thread cones, a denim stitching example, blue-brown-white yarn hanks and marbled fabric. The caption describes trials from samples to finished thread. Jeong In-suk is credited with thread dyeing, not sole garment design or sewing. The final photograph shows marbled fabric, not finished underwear. The brand and sales results are not established.
Process · 2022 · A record of colour-mixing practice in a wool-dyeing class. Three public photographs show coloured yarn, ribbons and colour speckles on white yarn. The caption explicitly identifies acid dyes, gradients and speckle dyeing. This is not a natural-dye class, and student results are not counted as solo artworks by Jeong In-suk. Two photographs showing a participant and background labels are withheld. Heating times, recipes and suitability for home use are not inferred from photographs.
Process · 2022 · A record of arranging hand-dyed lambswool in twenty-colour sets. Numbers 122–125 identify historical sets, not artwork totals. The caption describes two-ply lambswool for embroidery and knitting. The dye type is not established, so natural dyes are not assumed. The post was marked completed; it does not establish current stock, prices or shipping terms. Background embroidery is not attributed as a separate work by the artist.
Process · 2022 · Multicoloured hanks, gradient yarn spread on drying racks, wound yarn and undyed white yarn. The caption describes a day of dyeing several wool yarns, followed by rinsing and drying again after a shower of rain. The Lotus Yarns Pure Cashmere DK label in the last photograph applies only to that white yarn, not every coloured yarn. Natural-dye use and screen colour accuracy are unverified. Plans to show the yarn at the June fair are historical, not proof of attendance or current sales terms.
Process · 2022 · Wound yarn carrying HAWA ART YARN labels, boxed sets, small multicoloured hanks and close-up yarn details. The caption describes preparing 50 g cone yarn, a 12-colour set of 10 g portions and an 11-colour gradient of 3 g portions for the Busan fair. It mentions cashmere DK, merino, lambswool and varying thicknesses, without establishing each photographed yarn’s composition or measured weight. No single fibre or natural-dye claim is applied to all yarns. These historical sets and ticket notices are not current offers.
Classes & activities · 2022 · The Hawa Art Studio D-11 booth displays a block sampler, floral appliqué and star quilts, fabrics, yarn and kits. The 30 June caption reflects on three days at the Busan BEXCO Handmade Fair and thanks visitors and fellow exhibitors. Not every displayed item is counted as an original design or sole creation by Jeong In-suk; books and supplies are not separate artworks. Visitor totals, sales and current offers are unverified. Additional photographs are the event poster and D-11 floor plan from the 3 June announcement. The poster dates, 24–26 June 2022, describe a past event, not a current invitation. Preparation and the review belong to the same event.
Process · 2022 · Fabrics sorted by colour on a worktable for Baltimore Spring Garden kits. The caption also reports that a customer who bought a central-block kit the previous year completed the quilting. That customer photograph is withheld pending republication permission, and the customer’s sewing is not counted as Jeong In-suk’s sole work. Four people working together in the caption does not establish four completed works. Authorship of background dolls, other quilts and the original pattern, and current stock are not inferred.
Process · 2022 · Plain and patterned hand-dyed fabrics arranged in green, teal, purple, pink, orange and yellow. The caption describes an order of 26 fabric pieces for a customer planning to make 50 tulips. Fifty refers to the intended use, not flowers shown or artworks completed by the artist. Quantities come from the historical caption; fabric dimensions and dyes are unverified. Former availability and shipping terms are not current offers.
Process · 2022 · A hand-dyed fabric quilt top with multicoloured diagonal bands among grey triangular blocks. The caption reports completion of the large top but explicitly says this photograph was taken before joining the bottom two blocks. It records construction, not a fully quilted finished work. Block size is not used as the overall dimensions, and pattern authorship is not inferred. The event notice is historical.
Process · 2022 · An April calendar quilt block with a black umbrella, raindrops, yellow boots and tulips on coloured squares. The caption describes sewing a little each evening, completing the April block and looking forward to May. This documents a monthly block, not completion of the entire calendar quilt or an original pattern claim.
Classes & activities · 2022 · Six handled mini bags combine turquoise vines on black with multicoloured floral fabrics. The caption records attending a Q.M gathering and making bags using material prepared by teacher Jang. It mentions carrying a water bottle, tumbler or sweets and using fabric scraps. This is a historical group-making activity, not attribution of all six bags or the original pattern to Jeong In-suk, nor a current sale or class invitation.
Process · 2022 · White yarn being soaked for scouring, with prepared dyes, a yarn sample card and packaged hanks. Historical Korea Quilt Festival tickets and a floor plan marking D111 are also included. The caption names cashmere and superwash merino, but materials are not assigned to individual photographs and import certification is not established. This is preparation, not a finished dye result. Tickets, dates and gift offers belong to 2022, not current conditions.
Process · 2022 · Pink, orange and yellow wool yarn drying in daylight, dyed yarn in trays and fabrics arranged by colour on a worktable and shelves. The caption describes drying the previous day’s dyeing while ironing a 100-colour plain-fabric range and organising storage. The colour count comes from the caption, not a complete photographic count. Hashtag fibre types are not assigned to every yarn, and natural dyes are not assumed. The historical fair discount is not a current sales term.
Process · 2022 · Two sides of a square dimensional sample made with rust-dyed fabric, alongside source fabrics and brown linear, circular, grid and safety-pin-shaped marks. The caption describes a sample for a November exhibition that still needed improvement. It is not counted as a finished exhibition work or proof of participation. The bread comparison in the caption is not a confirmed artwork title. Filling, dimensions and exact making steps are unverified.
Classes & activities · 2022 · The second day at Hawa Art Quilt booth D111 in COEX Hall D, third floor. Photographs show displayed quilts, hand-dyed fabrics, yarn and bags, fabric sorting and colour-organised fabrics. The caption thanks visitors. This is the same event as the 5 October preparation and 6 October opening, not another event or new artwork. Visible prices are historical; visitor numbers, sales and original authorship of all displayed items are not inferred.
Process · 2022 · A quilt top joins storybook figures, instruments and mushroom prints with turquoise and orange borders; another photograph shows a snowman appliqué with the mouth pinned in place. The caption records ongoing sewing at home and in the studio. These are not registered as a finished quilt or pillow, and the printed illustrations and reference-project pattern are not attributed to Jeong In-suk. Family names and birth plans are omitted.
Process · 2022 · Fabrics arranged by colour in a basket and wooden boxes, with yarn and ribbon grouped for a fair. The caption describes a 100-colour hand-dyed cotton fabric package and a ten-colour two-ply wool yarn package. Counts and materials come from that historical description, not a complete measurement of the photographs. The fibre types in the hashtags are not assigned to every pictured yarn. Recorded in 2022; ask separately about current stock, prices and sales terms.
Classes & activities · 2022 · Installation day for the seventh Creative Quilt exhibition at Kyung-In Museum of Fine Art: hanging works and arranging lighting and displays. The set contains four installation photographs, a catalogue beside an exhibited work and the participating-artists poster. Ten artists and twenty works refer to the whole group show. Jeong In-suk stated that she was re-exhibiting two earlier works, not presenting two new ones. Other artists’ works and the catalogue or poster design are not attributed to her. The 23–29 November run and gallery talk are historical announcements.
Process · 2022 · Tie-dyeing bio-washed shoulder bags for a fair. Four photographs show brown and orange circular patterns; another records purple bags being rinsed. The different colours are not presented as before-and-after states of the same bag. This records dyeing, not authorship of the bag sewing or pattern. Current availability requires a separate enquiry.
Classes & activities · 2022 · Preparing booth D111 in COEX Hall D, third floor, one day before the Korea Quilt Festival opened. The originals show the booth with quilts, tie-dyed bags, fabrics and yarn, the QFiK 2022 entrance and part of the historical floor plan. Displayed works are not registered again as new artworks. Discounts, gifts, products and the floor plan belong to that event, not current sales or visitor information.
Classes & activities · 2022 · A photograph at Hawa Art Quilt booth D111 during the Korea Quilt Festival. Quilts, tie-dyed bags, fabrics and yarn are displayed as the caption thanks visitors. The source credits the photograph to 유계선. Books, patterns and all displayed objects are not attributed as the artist’s original creations, and no visitor or sales totals are inferred from the image.
Process · 2022 · A commission to redye a linen safari-style jacket, cotton wrap jacket and wool turtleneck black. Three original comparison images place two states of each garment side by side. The caption describes fading and yellowing or stains on the wool knit. This is redyeing of existing clothing, not authorship of the garments. Photo counts do not establish order or payment counts, and the case does not guarantee restoration of all garments.
Classes & activities · 2022 · After completing a basic dyeing class and deciding on an artwork design, a student dyed fabrics to match the intended image. Three originals show pink and purple tones, greys and blues. The caption looks forward to the completed artwork; the photographs show dyed materials, not the finished piece. The source’s direct-dye tag is not recast as natural dyeing, and its monthly-class reference is not a current schedule.
Classes & activities · 2022 · Posted at the end of 2022, this announces Winter & Quilter at Jeonju Museum of Contemporary Art for 10–23 January 2023. The poster names twelve participating artists, including Jeong In-suk. A three-day installation and opening visit was a plan in the caption. This is distinct from BORDERLINE at Gyo Dong Museum of Art, with a different venue and run. The poster is not presented as the artist’s quilt.
Classes & activities · 2022 · An advance announcement for BORDERLINE, a quilt invitational at Gyo Dong Museum of Art in Jeonju. The poster lists seven artists including Jeong In-suk, a 10–15 January 2023 run and a 4 pm opening on the 10th. The caption describes participation with photograph-informed works. Posted on 29 December 2022, this is not a 2022 exhibition date, a current schedule or attribution of the poster design to the artist.
Process · 2022 · Instruction sheets, labelled fabrics and coloured threads are packed in front of the Mama’s Daily Life quilt. The caption announces a repeat order and dispatch preparation for workshop teaching kits, noting that hand-dyed colours may vary between orders. The background quilt is not counted as a new work, nor is authorship of its original pattern assumed. This historical preparation record does not establish delivery or current sales terms.
Process · 2022 · Small hearts sit inside a large pink heart, surrounded by squares, circles and X shapes. A second photograph places this February block beside the earlier snowman block. The caption describes completing one block by hand following a reference project, not the full twelve-month top or an original pattern attributed to the artist.
Process · 2022 · The March calendar quilt block places a flowering tree, birdhouse and two pink birds inside a blue and purple square border. The post dated 5 April 2022 describes monthly hand sewing at home following an online community project. This records one block, not completion of the full twelve-month quilt, and is not presented as an original pattern or a class run by the artist.
Process · 2022 · A Pickle Dish sample block pieced from mushroom and floral prints, shown with transparent templates and cut fabric pieces. The caption describes making the sample at a Q.M gathering after receiving tips from someone who had made it before. This is work in progress, not a finished large quilt; the fabric prints and template designs are not attributed to the artist.
Process · 2022 · A cotton-thread hank with blue and brown colour changes, alongside white thread partly wrapped and tied for preparation. The caption describes a fashion designer’s request for sample denim topstitching thread and preparation for dyeing after tests. This is a testing and preparation record, not final delivery or finished jeans. The dye type is unspecified.
Classes & activities · 2022 · At the seventh Creative Quilt exhibition in Gallery 3 of Kyung-In Museum of Fine Art. Jeong In-suk revisited two earlier works, titled Siseon and Dreamcatcher in the post. These were not two new works made in 2022. The photograph shows the artist between an irregular brown-toned textile and a work with human silhouettes.
Process · 2022 · Small floral and geometric fabric pieces are being joined at the sewing machine. The post calls the fabric feedsack and records returning to sewing. This is a process record from 2022, not a finished quilt; the fabric’s production date and whether it was dyed by the artist are unverified.
Process · 2022 · Finishing the binding after quilting a hand-appliquéd top. Jeong In-suk made the top; longarm quilting was commissioned from Yang Jin-guk at the Daejeon Bernina Center. Curved stitching runs across burgundy and black borders. Recorded in 2022; ask separately about current availability.
Process · 2022 · Brown branch pieces are placed beside a border drawing with birds, leaves and dragonflies, ready for appliqué. The post records returning to the unfinished Baltimore Spring Garden border. This is a work in progress, not a finished quilt or a claim that the reference pattern is the artist’s original design.
Classes & activities · 2023 · A gallery view showing several different textile works. The caption reflects on two nights and three days of installation and opening preparations and learning about fellow artists’ work. This post alone does not establish the exhibition name, venue or individual work titles and authors; not every displayed piece is registered as a new work by Jeong In-suk. Two other photographs carrying press watermarks or photographer credits are not republished.
Process · 2023 · Patchwork blocks with stars, a barn, fruit and geometric shapes arranged on a work wall. The artist called this her final sewing of the year and wrote that nine Farm Girl Vintage blocks remained. This is work in progress using an existing pattern, not a finished quilt or separate artworks for each block.
Process · 2023 · An installed curtain of rectangular printed fabric pieces joined with white sashing. The artist wrote that she had finished enlarging it the previous night. This records an alteration to an existing curtain; its original creation date and exact dimensions are unconfirmed. Printed motifs are not attributed to the artist as original designs, and this is not a current product offer.
Process · 2023 · Pouch-making with fabric pieces arranged around a figure print and decorative edging. The post describes slip-stitching an unfinished pouch. This is a hand-sewing process, not a finished product; authorship of the printed design and the background quilt is not asserted.
Classes & activities · 2023 · A visit to the 33rd Contemporary Dye Artist Association Exhibition, in which artist Park Young-joo participated. The venue leaflet lists 10–17 December 2023 at Gallery 808, Room 2, Seongnam Arts Center. This documents a visit, not Jeong In-suk exhibiting. Neither the displayed works nor the leaflet design is attributed to her.
Process · 2023 · Hand-dyed fabric pieces arranged by colour and packaged with studio ribbon. The original post described 65 solid colours at the time. These photographs document colour arrangement and packaging, not current stock or guaranteed product dimensions. The relationship between the two sizes in the caption is unclear, so neither is asserted as an ordering specification.
Artworks · 2023 · An installation record of a textile work combining a female figure, floral imagery and raised flowers. The artist identifies it as the homage work Flowers and Woman. The referenced design is not presented as her original invention, and the post date is not the completion date. Current availability requires confirmation.
Classes & activities · 2023 · A booth record from the final day of the 2023 K-Handmade Fair. The photographs show turquoise fabric being unfolded and a display of quilts, fabrics and kits. This continues the installation and second-day records of the same fair, rather than documenting a separate exhibition or newly completed artwork. Price signs in the photographs are historical, not current offers.
Classes & activities · 2023 · The second day of the 2023 K-Handmade Fair, showing kits and fabrics being presented at the booth. The post reports dyeing-class enquiries and describes one-day, advanced and artwork-fabric dyeing classes offered at that time. These are not photographs of a class in session, and neither current schedules nor enquiry counts are established. This follows the same fair’s installation record.
Classes & activities · 2023 · Installation of the Hawa Art Studio booth on the eve of the 2023 K-Handmade Fair. The photographs show hand-dyed fabrics, fabric pieces, kits, Summer Village and Mama’s Daily Life 3 on display. Quilting lines and an edge finish are visible on Summer Village. The booth number differs from the earlier announcement and is not asserted here. This is a historical installation record, not current stock, discounts or sales results.
Process · 2023 · Daily-life blocks joined with blue-grey sashing. The artist wrote that she intended to continue through the border work on the 19-block Mama’s Daily Life 3. This follows the block arrangement of 23 November and is not classified as a finished quilt. Discounts and booking details in the accompanying fair graphic belong to the 2023 event.
Process · 2023 · A working arrangement of blocks depicting daily life in hand-dyed fabric. The post describes Mama’s Daily Life 3 as a 19-block project with some blocks still remaining, alongside sashing assembly, border and sashing cutting, and kit preparation. The representative image shows unjoined blocks, not a completed quilt. Other assembled examples in the post are not registered as separate works because their makers and dates are not established.
Process · 2023 · Flowers and leaves added to house blocks made from hand-dyed fabric, shown in an overall view and a close-up with leaf pieces. The artist described Summer Village as complete, but the photographs do not establish finished quilting and binding, so this is classified as a quilt-top record. It follows the house-piecing post of 11 November and is not presented as a separate original pattern.
Process · 2023 · Fabric dyeing in preparation for the COEX K-Handmade Fair. Irregular pink, blue and purple patterns overlap on a light ground. The artist wrote that work on the remaining colours was still underway. The photograph does not establish the precise dyeing technique or dyes. The 100-colour kit tag is not evidence of a completed quantity or current stock.
Process · 2023 · Work in progress on Summer Village, chosen to demonstrate the use of the artist’s own hand-dyed fabrics. Pink, yellow, green and blue house blocks are joined with white sashing. The artist described preparing colours and cutting ahead, then machine-piecing a row at a time, and noted one incorrectly joined window. The post tags the 홍이정 quilter project. This is neither a finished quilt nor a claim of original pattern authorship.
Process · 2023 · Cotton dyeing during fair preparations. The artist wrote that undyed fabric received from an acquaintance was boiled to remove sizing before dyeing. Two photographs show yellow, orange and pink fabrics with mottling, creases and small specks. The caption describes seed-like flecks in the cotton. Dye types and exact treatment conditions are not specified; this is not a current stock listing.
Classes & activities · 2023 · An advance notice for participation in the K-Handmade Fair at COEX Hall B, 30 November–3 December 2023. The event graphic and floor plan confirm the dates, venue and booth B-44. The artist wrote that new kits, dyed fabrics and small items were being prepared. This is a historical announcement, not evidence of attendance or sales. The ticket application mentioned in the original post is no longer current.
Process · 2023 · A studio record ahead of the flea market. Three photographs show long patchwork pieces with lace and buttons being arranged, and fabric pieces at the sewing machine. A Harris Tweed label is visible on one section. The caption does not name the item, so its intended use and number of finished products are not established. This records preparation for 22–23 October 2023, not current stock.
Process · 2023 · Hand-dyed chiffon silk ribbons with frayed edges in vivid pink and orange. Two photographs show ribbons on spools and laid out, flower-like coils and white undyed material. The post specifies 25 mm undyed ribbon. This records materials and dyeing results at that time, not a completed class or current stock.
Classes & activities · 2023 · An announcement for the 11th S.M. ART QUILT exhibition, scheduled for 1–7 November 2023 at Gallery 2 of Kyung-In Museum of Fine Art. The poster lists InSuk Jeong among twelve participating artists and announces a gallery talk at 11 a.m. on 1 November. This is an advance notice, not an installation photograph or an award record.
Process · 2023 · A dyeing session that began with one green ribbon and expanded into more colours. Light and dark greens, pinks and a dark-toned bundle are laid out on the cutting table. The post tags silk ribbon and 4 mm and 7 mm widths, while noting that 13 mm material had run out. Individual bundle widths and lengths are not established from the photograph. This records dyeing at that time, not current stock or a class event.
Classes & activities · 2023 · An advance announcement preparing for a flea market at Im Secheulling 39 in Mokdong on 22–23 October 2023. Hawa Art Studio planned to bring pouches, hand-dyed wool yarn and silk ribbons, eco-printed scarves, scissors and vintage tableware. Scissors and tableware are not artworks made by the artist. This records preparation and an announcement, not proof of the event taking place, sales results or current availability.
Process · 2023 · Pouch panels combining character prints with checked and floral patchwork, laid out with zippers. The post describes preparing to attach zippers and finish the pouches. The panels are not counted as separate completed pouches, and overlap with earlier pouch records remains unconfirmed. Printed character designs are not attributed to the artist as original creations.
Process · 2023 · Pink binding clipped along the edge of burgundy fabric during finishing, with thread and decorated scissors resting on the cloth. The post reflects on finishing two works and mentions S.M. exhibition work. The photograph shows only one edge detail, not two completed artworks. The exact correspondence between this photograph and the work titles in the tags remains unverified.
Process · 2023 · Work in progress on dark fabric with gold and green metallic sheen. Parallel cuts and stitch lines, fabric offcuts and an upturned bowl are visible on the cutting table. The artist describes the material as colour-removed metallic fabric and reports substantial shedding. This documents slash quilting in progress, not a finished work or class result. The post does not specify the colour-removal materials or procedure.
Process · 2023 · Making and wrapping drawstring pouches as Chuseok thank-you gifts for neighbours near the studio. Character-print fabrics, varied cords and rounded end decorations appear in transparent wrapping. Another photograph shows buttons and fabric yo-yos on the worktable. These may overlap with previously documented pouches, so they are not counted as additional individual finished works. The printed characters are not presented as the artist’s original designs.
Artworks · 2023 · A pouch made with sewing-machine print fabric and orange-toned lining. The artist describes using it to carry cosmetics and sewing supplies together. The exterior and zipped compartments document one pouch. The post credits a Quilt House kit; it does not establish original authorship of the pattern or fabric print. Historical sales tags do not confirm current kit availability or pricing.
Process · 2023 · Rust-marked fabrics cut into different shapes and spread across a cutting mat. Pieces with varied brown lines and stains overlap. The artist asks how they might transform, using rust-dyeing and collage tags. This is preparation for an arrangement, not a finished collage. Exhibition-related tags alone do not establish an exhibition event or the final artwork’s official title.
Process · 2023 · A work-in-progress record of trimming loose threads after slashing pink-toned fabric. Tangled threads cover parallel cuts, with curved scissors resting on the surface. The artist describes fraying when the fabric is touched after cutting in the cross-grain direction. This documents a difficulty in making, not a finished artwork or recommended technique; the post does not establish a later resolution.
Process · 2023 · Machine-piecing one block a day for the Hong I-jeong quilters project. Photographs show jar blocks and fabric choices, plus pinwheel, bird, bowl, star and diagonal-strip arrangements. The post mentions Farm Girl Vintage and Lori Holt and Liberty fabrics. This documents making with existing patterns and printed fabrics, not original pattern authorship by Jeong In-suk or seven completed quilts.
Process · 2023 · Joining brown printed fabric and white pieces at a sewing machine. Fabric units extend around the presser foot, with diagonal guides visible on the white fabric. The post describes use of a Juki DX7. This records use at that time, not an official partnership or sponsorship. The final project’s name and completion are unverified.
Artworks · 2023 · A drawstring pouch made as a gift with its intended recipient in mind. Blue Holly Hobbie printed fabric is finished with dark cords and round end beads. Two views document one pouch; the accompanying fabric photograph is not another artwork. The record does not claim original authorship of the printed characters or textile design, and delivery of the gift is unverified.
Process · 2023 · Hand stitching pouch projects at home. A Holly Hobbie print and decorative trim are pinned onto a panel of small fabric squares. Other photographs show another pouch being assembled with green side panels and a lining. Closure completion is not established, so this is classified as work in progress. It does not attribute creation of the printed character to Jeong In-suk or count every photograph as a finished item.
Process · 2023 · Preparing a pouch from small squares of feedsack fabric, with child-character patches added over colourful prints. The post says a matching zipper has been ordered and is still awaited, so this is work in progress rather than a finished item. The two photographs are not counted as two completed pouches. The record does not attribute the printed characters to Jeong In-suk or establish the fabric’s manufacturing date.
Artworks · 2023 · A previously prepared patchwork top completed as a drawstring pouch. Red and navy checks frame a printed character panel, with buttons along one side. Two views show the same finished pouch, not two pieces. The sewing record does not attribute creation of the printed characters to Jeong In-suk. Full fibre composition and current kit availability are unverified.
Process · 2023 · Checking rust-dyed results sheet by sheet while preparing an exhibition work. The post shows square and circular impressions, overlapping fine lines, and dyeing underway beneath a transparent cover. The caption says the background fabric is still developing on the studio floor. This does not establish completion of finishing or the final exhibition piece; four photographs are not counted as four artworks.
Process · 2023 · A rust-dyeing finishing study while preparing an exhibition work. Brown square, circular and safety-pin-shaped impressions appear on pale fabric. The artist reports resolving loose rust residue and achieving a softer feel. This is her assessment of that work, not a documented treatment recipe or product safety verification. It is not a finished exhibition piece or proof of submission.
Process · 2023 · Pattern-dyed fabrics introduced in the post as the previous day’s results. Five folded groups in lilac, pale blue, blue and grey sit on a cutting mat. This can be read as a follow-up to the previous day’s custom colour work, but individual matches to the swatches are unverified. It does not represent five separate quilts or confirm the full order quantity or dispatch.
Process · 2023 · Custom pattern-dyed fabric prepared to a customer’s chosen colours and tones. The photograph shows lilac and grey swatches and a pink and blue-grey pattern on a cutting mat. The post describes considering a longstanding customer’s artistic style when mixing colours. It reports dyeing 20 ma of fabric and planning dispatch after drying; the photograph does not verify the full quantity or completed delivery.
Classes & activities · 2023 · Receipt in August 2023 of the catalogue of award-winning works from the 2022 China International Home Textiles Design Competition. The post appreciates its artist profiles and detailed photographs. The selected image shows the 2022 cover. Works pictured inside are by other artists and are not attributed to Jeong In-suk or treated as her awards. The accompanying competition notice is historical, not a current call for entries.
Classes & activities · 2023 · A booth record from the Busan K-Handmade Fair, presenting hand-dyed fabrics and quilts. The post describes this as the sixth participation and thanks visitors. The selected photograph shows coloured fabrics, kits and a hanging quilt. Works in other booths pictured in the same post are not attributed to Jeong In-suk. Historical discounts and invitations are not current offers; visitor totals and sales are unverified.
Process · 2023 · Fabric was moved around the studio to dry during rainy weather before checking the ice-dyed results. Photographs document varied fabric patterns and three teal, blue and purple T-shirt samples. The post describes the fabric as Indian fabric and the shirts as trials for a family trip. It does not establish who sewed the shirts, their origin or current availability for sale.
Process · 2023 · Checking pink, apricot and pale-purple ice-dyed patterns while continuing another pattern. Photographs show four folded lengths, a pattern close-up and ice still melting. The post describes 150 × 180 cm wide 30-count cotton fabric. These are not four independently established finished artworks; current sizes, stock and one-to-one links to earlier process photographs are not confirmed.
Process · 2023 · Ice dyeing ahead of the Busan fair. Three photographs show red, yellow-green and blue-purple colour spreading over ice held within foil forms on a rack. The caption anticipates the result; these are process photographs, not finished fabric. It advertises booth D-20 at Busan BEXCO for July 21–23 at the time. Dye formulas and fibre composition are not established by this post.
Process · 2023 · Organising hand-dyed yarn and considering box packaging ahead of the Busan BEXCO K-Handmade Fair. Skeins in different thicknesses and colours sit in and around a box; other photographs show yarn cakes with Hawa Art labels. The post says more dyeing is needed. Fibre percentages and dyeing methods are not established for each photograph, and historical class notices are not current booking guarantees.
Process · 2023 · Patterned-dyed fabrics organised by colour, packed in clear wrapping and tied with Hawa Art Studio ribbon. The post announces plans to present them at the Busan BEXCO handmade fair on July 21–23, 2023. This is pre-event kit preparation, not evidence of sales or delivery. Historical cut-size options and a made-to-order 200-colour assortment are separate from current terms.
Process · 2023 · Drying, pressing and cutting patterned-dyed fabric. Pink, pale green and grey-blue fabric lies beside folded pieces; a second photograph shows narrow offcuts. The artist reports working on more than 200 colours and considers ways to use the scraps in artwork. The colour count is the artist’s contemporary statement, while the proposed scrap-based work is still at the planning stage.
Process · 2023 · Folding and organising hand-dyed fabric for a patterned-dye kit described as containing one hundred colours. Stacks of pink, purple, green and blue fabrics sit beside an unfolded patterned piece. The post describes wide 30-count cotton fabric in several cut sizes. One hundred colours is the kit description, not a count verified from this photograph. Current stock, sizes and dispatch require confirmation.
Process · 2023 · Continuing the Sunbonnet Sue quilt-show kit preparation. A figure and pink and purple bags are arranged on map-print fabric, with tiny fabric rolls and doll motifs inside the bags. The shopping described in the caption belongs to the character’s story. Visible cutting lines show appliqué preparation, not completion of a whole quilt or functional bags.
Process · 2023 · A rose-corsage kit prepared for an order to decorate a hat. Pink, yellow and purple hand-dyed fabrics were cut into petal shapes and arranged with green fabric and brooch findings. The post suggests use as a brooch or on summer and winter hats. It does not document making the hats themselves or confirm delivery. Current kit terms require separate confirmation.
Process · 2023 · Preparation for preordered kits for a 20-block Sunbonnet Sue project. Fabrics were selected and changed for small appliqué pieces depicting figures beside a framed quilt, a table and travel luggage. The post says three blocks remained. These are cutting and colour-layout stages, not a finished quilt or evidence of 20 orders. Current kit availability requires confirmation.
Process · 2023 · A one-day dyeing class attended by a teacher who works in quilting and ribbon embroidery. The original post describes preparing dye solutions, colour mixing and further techniques using silk ribbon, wool yarns, sari silk, wool fabric and silk scarves. Photographs show coloured ribbons, yarn skeins, checked fabric and a pink-and-grey scarf. Results vary with materials and the chosen curriculum; historical booking terms are not current guarantees.
Process · 2023 · Twelve cup and teapot blocks made with floral printed and dyed fabrics, pinned in a layout for a paper-piecing warm-up. The ivy and cupboard sections remained unfinished, so this is a work-in-progress record rather than a completed quilt. The original tags mention quilter Hong I Jeong and working together; they do not establish pattern authorship or a teaching role.
Classes & activities · 2023 · An opening record of the Furniture Quilt exhibition, where Koo Sungsoo introduced the 13 participating quilters and their work. The post reflects on months of preparation for the home-decor exhibition combining furniture and quilts, and thanks him for the invitation. The photograph shows the display with Jeong In Suk’s name card and bedding. The exhibition ran May 23–June 11, 2023, on the fifth floor of Dijate furniture department store in Jeonju. The posting date is not treated as the event date.
Classes & activities · 2023 · The exhibition opened on May 23, 2023, on the fifth floor of Dijate furniture department store in Jeonju, with 13 quilters participating. Photographs document Pickle Dish bedding, Log Cabin bedding and cushions, and a star wall hanging arranged with furniture beside Jeong In Suk’s name card. This opening follows the previous day’s installation; background works are not all attributed to her, and sales are not confirmed.
Classes & activities · 2023 · Installation of her assigned area on the fifth floor of Dijate furniture department store in Jeonju was completed one day before opening. Quilted bedding and cushions were arranged with beds and sofas alongside the selvage floral collage and star wall hanging. Her name card and the original caption confirm participation. These are exhibition arrangements of existing pieces, not evidence of completed sales.
Artworks · 2023 · A wall hanging combining vertical selvage strips, still bearing lettering and colour marks, with floral fabric collage. Layout was explored on May 10 and quilting documented on May 14; the May 17 post confirms completion. The finished piece was photographed beside roses. The flowers use printed fabric and are not presented as separately hand-painted images.
Artworks · 2023 · The Log Cabin top completed on May 7 was finished as quilted bedding using an external quilting service. Quilting adds volume to pink, mint and blue strips around purple centres. The post confirms completion and readiness for the exhibition. The quilting provider is not named in this post; current availability needs separate confirmation.
Classes & activities · 2023 · Quilt tops were finished as bedding while preparing for the Furniture Quilt exhibition, then photographed at Cheongidang in Uiwang. The original photographs show a grey-sashed sampler, a blue-bordered triangle composition and small-square patchwork with a green border. The post thanks the café owner for accommodating the photography; it does not document an exhibition at the café or completed sales.
Classes & activities · 2023 · Trophies and certificates from the 2022 Zhang Jian home textile design competition arrived for onward delivery to the awarded artists. The gold and silver trophies shown belong to this distribution record, not a count of Jeong In-suk’s personal awards. The next competition schedule mentioned in the post was still unconfirmed.
Process · 2023 · A holiday work session combining quilting a selvage collage, preparing binding strips and dyeing ordered fabric. The original photographs show blue and green fabric lifted from steaming vessels, a pieced selvage strip and floral collage at the sewing machine. Dye and fibre types are unspecified; this is not a completed-delivery record.
Classes & activities · 2023 · Advance release of the leaflet for Pairing of Furniture Quilt, bringing furniture and quilts together. It announced May 23–June 11, 2023, on the fifth floor of Dijate Furniture Department Store in Jeonju. The post lists thirteen artists including Jeong In-suk and credits photography to Koo Sung-soo. This is a historical announcement; the cover pattern is not identified as an individual work by Jeong.
Process · 2023 · After piecing a top from selvage strips, cut-out floral fabric was laid on it to explore the composition. Red, pink and yellow flowers overlap vertical strips bearing printed lettering and colour marks. The three original photographs show arrangements of the same work, not three finished pieces. Attachment and final quilting were not yet confirmed.
Process · 2023 · A reversed block was corrected and one row removed from the original 35-block layout to adjust the length. The post gives the finished thirty-block top as 175 × 210 cm. Removed pieces were intended for pillows and cushions. The final bedding construction was still undecided, so this is a completed top rather than a finished quilt.
Process · 2023 · Log Cabin piecing resumed after a fabric shortage. The original post thanks Teacher Jang for sharing fabric. Blocks with purple centres and pink, mint and blue-grey strips are arranged and machine-pieced. Finishing the top that week was still a goal when the post was written.
Classes & activities · 2023 · A preview photograph of the bed setting prepared for an exhibition in Jeonju starting May 23. A Pickle Dish quilt, pillows and cushion are paired with a Bethlehem star quilt. The original post credits photographer Koo Sung-soo and fellow teachers for the photographs. Other pieces were still being finished; this documents preparation, not the opening or a completed sale.
Process · 2023 · A king-size Pickle Dish quilt being prepared for the Pairing Furni Quilt exhibition in Jeonju. Binding was underway after longarm quilting by Yang Jin-guk. Quilting lines cross orange and yellow curved pieces, blue blocks and green ovals. The work was still being finished when posted.
Process · 2023 · Saved selvage strips spread across the worktable. Printed lettering and colour marks remain on the fabric edges, ready to be reused in a machine-pieced quilt top. The photograph records the materials before piecing, on the day work began.
Process · 2023 · Cutting fabric after buying additional material in Dongdaemun. Yellow, orange and blue prints, white curved pieces and green oval pieces are laid out on the worktable. A pieced top in the same colours hangs behind it. This documents preparation and construction, not a finished quilt or verified hand-dyeing.
Process · 2023 · Machine quilting and binding a hexagon quilt made with hand-dyed fabrics. Curved stitching runs across turquoise, green and pink pieces; the pink edge and backing are visible together. Made as a family gift and still being finished when posted, this is not a sales listing or a completed-delivery record.
Process · 2023 · Following the February 21 cutting record, picture panels and patterned fabrics have been joined with white sashing and borders. The post says the piece was made larger than the requested 120 × 150 cm, with backing still to finish. Shipment was planned for the following week, not confirmed as delivered. The printed panels are materials, not claimed as drawings by the artist.
Process · 2023 · Selecting, cutting and joining fabrics on hand for a 120 × 150 cm curtain commission. Square pieces and white joining strips sit beside long pieced lengths. The dimensions are the order specification recorded in the post; the photograph shows work in progress, not completed delivery. Ask separately about current availability and fabric choices.
Process · 2023 · Stored bow-tie blocks were joined and framed with a green border, alternating floral prints and white fabric. The post describes completing it at baby-quilt size. The photographs document block arrangement and the bordered top; final quilting and backing are not verified, so this is presented as a process record.
Process · 2023 · A student began a scrap-quilt curtain using their own sewing machine. Patterned fabric blocks were joined with sashing and arranged to explore colour combinations. The photograph shows straight-stitch practice, not a curtain completed that day or a new artwork by the teacher. Recorded in 2023; ask separately about current classes.
Classes & activities · 2023 · Opening of the invited exhibition Border Line at Gyo Dong Museum of Art in Jeonju. Seven quilters took part, reinterpreting photographs as textile works. This gallery view brings together harbour, botanical and architectural imagery. It documents a group exhibition, not several new works by Jeong In-suk.
Classes & activities · 2023 · A day preparing exhibitions at Jeonju Contemporary Museum and Kyodong Museum. Works were arranged and hung before the lighting was adjusted. The post credits artist Koo Sung-soo with helping adjust the lights. This group-exhibition installation photograph includes works by several artists, not only Jeong In-suk.
Process · 2023 · Preparing a shipment of hand-dyed fabrics for Mama’s Daily Life Series 3. The post lists materials for 19 blocks, sashing and borders. Packaged colours appear beside a reference image; this documents kit preparation, not a newly completed artwork. Recorded in 2023; current stock needs separate confirmation.
Artworks · 2017 · Hexagonal textile panels bearing leaf impressions. The artist’s work notes identify eco-printing and machine quilting. Exhibition photograph.
No works match your search.
The studio archive includes Fragments of Memories, rust-dyed and stitched surfaces, colorful patchwork, and wall or bed-format quilts. Actual work photographs remain separate from illustrative images. Availability and loan conditions are discussed for the specific work.
Based in Korea. Overseas shipping, payment options, class location, and language support are confirmed individually. This page does not guarantee worldwide delivery or English-language teaching.
Please send your destination, desired item, size, and quantity. Shipping feasibility, charges, and payment arrangements must be confirmed before ordering.
Screen settings, fibers, and dye batches can change the appearance. Discuss the desired color family and use; a photograph is not an exact color guarantee.
No. It starts a consultation. Availability, price, schedule, and payment conditions are confirmed separately.
Ask Jeong In Suk about artworks, fabric or classes.
If calling is inconvenient, leave a text or Instagram message.From outside Korea, use +82 10-2747-4832 (omit the leading 0). International call/SMS charges may apply. Email or Instagram DM is recommended.An inquiry is not a confirmed order. Please include your country and preferred contact method. Do not send payment card details or sensitive personal information.
Email the studiohawa1101@naver.com
Inquiry checklist